Abstract

ABSTRACT Genevieve Lloyd’s assessment of Spinoza’s rationalism shows how imagination and sensibility are integrated with reason in his metaphysics and equally makes clear how his philosophy illuminates a number of aesthetic works and political situations. This response considers the limitations of the aesthetic analogy she draws from Flaubert and also queries the contrast she sees between Spinoza’s account of reason and finitude and Pascal’s account of the same. Turning from Pascal, it concludes with a consideration of Spinoza’s response to Augustine’s doctrine of original sin in the Political Treatise in order to indicate some problems that stem from a vision of politics grounded in a Spinozist metaphysics of multiplicity.