Quand la parole libère (de) l'écrit, et l'écrit (de) la parole

Multitudes 2 (2):101-120 (2007)
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Abstract

To make the voice heard of those for whom the written word is not part of their cultural tradition is Romaine Moreton’s project as Aboriginal poetess and performer. We publish here two poems from her collection Post Me to the Prime Minister. Flowing by the beat of the bongo, originally written in English, manoeuvering between the written language of the colonisator and the music of the colonised, they forcefully express Romaine Moreton’s struggle : the combat of a people for the right to represent itself and to be the author of its own existence

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