Abstract

Based on his previous elaborations on semiotic fitting, Kalevi Kull develops a relations-focused theory of beauty in the organic world. I will point to further strands of thought in the Western history of ideas that have introduced the convergence of the aesthetic and organic. The reflections of Immanuel Kant and the early romantics are foundational for these parallels, although not necessarily in concordance with the biocentric and biosemiotic stance of Kull. This comment also raises some questions related to the compatibility of some arguments with the authors who are mentioned as inspirational sources of the theory. In the end, additional authors are suggested as potential associates of biosemiotic aesthetics, authors who might help to broaden the scope of aesthetic phenomena covered by the theory.