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Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review
Frontiers in Psychology 7 (2016)
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Citations of this work
Creating Time: Social Collaboration in Music Improvisation.Ashley E. Walton, Auriel Washburn, Peter Langland-Hassan, Anthony Chemero, Heidi Kloos & Michael J. Richardson - 2018 - Topics in Cognitive Science 10 (1):95-119.
Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity.Laura Bishop - 2018 - Frontiers in Psychology 9.
Enhancement of Pleasure during Spontaneous Dance.Nicolò F. Bernardi, Antoine Bellemare-Pepin & Isabelle Peretz - 2017 - Frontiers in Human Neuroscience 11.
Ritmo y pensamiento: el rastro corporeizado del tiempo en la cognición.Susana Carnero-Sierra - 2024 - Pensamiento 79 (306):1725-1738.
Eye gaze as a means of giving and seeking information during musical interaction.Laura Bishop, Carlos Cancino-Chacón & Werner Goebl - 2019 - Consciousness and Cognition 68 (C):73-96.
References found in this work
Surfing Uncertainty: Prediction, Action, and the Embodied Mind.Andy Clark - 2016 - New York: Oxford University Press USA.
Whatever next? Predictive brains, situated agents, and the future of cognitive science.Andy Clark - 2013 - Behavioral and Brain Sciences 36 (3):181-204.
The free-energy principle: a unified brain theory?Karl Friston - 2010 - Nature Reviews Neuroscience 11 (2):127–18.
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