Abstract

This paper argues that Hans Blumenberg’s theory illuminates a novel interpretation of the phenomenological concept of the lifeworld—as a world sustained by myths and their receptions. This paper combines two central themes in Blumenberg’s philosophy: his interpretation of Edmund Husserl and his aesthetics, especially his theory of the novel and of myth. My claim to originality is to offer a mythology of the lifeworld with the help of one of Blumenberg’s less-known texts, “Wirklichkeitsbegriff und Wirkungspotential des Mythos.” In the first part, I will examine a crucial aspect in Blumenberg’s reading of Husserl’s notion of the lifeworld, namely the unorthodox view that the lifeworld, as the foundation for sciences and their logos, itself has no need to resort to language. To put it mythically: the lifeworld is an expressionless state of naivety. To support this deconstructive reading, I will then turn to Blumenberg’s theory of the novel. As has been noticed by Blumenberg and his colleagues, the underlying meaning structure of the novel, or its “concept of reality,” has a typically modern character, and largely overlaps with the phenomenological idea of the world and lifeworld. However, in the second part, I will radicalize Blumenberg’s discussions about reality, and show that the novelistic reality can never fully supersede that of myth. Mythology has a persistent existence, and, in Blumenberg’s argument, the history of mythical reception reveals a perpetual movement of human struggle against terror. In this Blumenbergian philosophy of mythology, a new image of the lifeworld presents itself, a world made by the myth-telling humans, by their active and aesthetic use of words, instead of slumbers of naivety.