- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Intents and purposes: philosophy and the aesthetics of improvisation
Ann Arbor: University of Michigan Press (2019)
Abstract
Introduction: why an ontology of jazz? -- What does the law hear? James Newton and the Beastie Boys -- Intentions, agency, and improvisation: from machines to the imaginary -- It ain't over till it's over: work completion in improvised music -- Paris, 1969: musical understanding, genres, and aesthetic denseness -- My favorite things: performance, paraphrase, and representation.Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Intents and Purposes: Philosophy and the Aesthetics of Improvisation by Eric Lewis.Jeff Schwartz - 2022 - Critical Studies in Improvisation / Études Critiques En Improvisation 15 (1):1-5.
Lewis, Eric. Intents and Purposes: Philosophy and the Aesthetics of Improvisation. University of Michigan Press, 2019, 280 pp., 3 b&;w illus., $80.00 cloth. [REVIEW]Casey Haskins - 2020 - Journal of Aesthetics and Art Criticism 78 (3):379-383.
Rhythmicity and Deleuze: practice as research in the musical-philosophical.Steve Tromans (ed.) - 2023 - Lanham: Lexington Books.
The Improvisation of Musical Dialogue: A Phenomenology of Music.Bruce Ellis Benson - 2003 - New York: Cambridge University Press.
Knowing as Instancing: Jazz Improvisation and Moral Perfectionism.William Day - 2000 - Journal of Aesthetics and Art Criticism 58 (2):99-111.
“What Has Coltrane to Do With Mozart: The Dynamism and Built-in Flexibility of Music”.Cynthia R. Nielsen - 2009 - Expositions 3:57-71.
Perspectives philosophiques sur les musiques actuelles.Clément Canonne (ed.) - 2017 - Sampzon: Delatour France.
The aesthetics of imperfection in music and the arts: spontaneity, flaws and the unfinished.Andy Hamilton & Lara Pearson (eds.) - 2020 - New York: Bloomsbury Academic.
Justice as improvisation: the law of the extempore.Sara Ramshaw - 2013 - Milton Park, Abingdon, Oxon: Routledge.
Analytics
Added to PP
2022-12-04
Downloads
42 (#1,334,928)
6 months
14 (#866,120)
2022-12-04
Downloads
42 (#1,334,928)
6 months
14 (#866,120)
Historical graph of downloads
Citations of this work
Improvisation as a Method of Composition: Reconciling the Dichotomy.Katya Davisson - 2022 - British Journal of Aesthetics 62 (3):373-386.
The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes.Andy Hamilton - 2020 - Journal of Aesthetics and Art Criticism 78 (3):289-302.
Musical Improvisational Interactions in the Digital Era.Alessandro Bertinetto - 2021 - de Musica:81-105.
Try MATCHA Writer if you're interested in citing directly from PhilPapers and certifying your authorship.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation