Abstract

In early modernity, one can find many spatial logic diagrams whose geometric forms share a family resemblance with religious art and symbols. The family resemblance these diagrams bear in form is often based on a vesica piscis or on a cross: Both logic diagrams and spiritual symbols focus on the intersection or conjunction of two or more entities, e.g. subject and predicate, on the one hand, or god and man, on the other. This paper deals with the development and function of logic diagrams, their analogy to religious art and symbols, and their modern application in artificial intelligence.