- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time
Frontiers in Psychology 5 (2014)
Abstract
This article has no associated abstract. (fix it)Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Roar of a Champion: Loudness and Voice Pitch Predict Perceived Fighting Ability but Not Success in MMA Fighters.Pavel Šebesta, Vít Třebický, Jitka Fialová & Jan Havlíček - 2019 - Frontiers in Psychology 10.
The interaction of pitch and loudness discriminations.J. Donald Harris, Andrew G. Pikler, Howard S. Hoffman & Richard H. Ehmer - 1958 - Journal of Experimental Psychology 56 (3):232.
The effect of psychophysical method and context on pitch and loudness functions.J. M. Doughty - 1949 - Journal of Experimental Psychology 39 (5):729.
Octave generalization, pitch discrimination, and loudness thresholds in the white rat.H. R. Blackwell & H. Schlosberg - 1943 - Journal of Experimental Psychology 33 (5):407.
A study of differential pitch sensitivity relative to auditory theory.Charles Clement Irwin - 1937 - Journal of Experimental Psychology 21 (6):642.
A Tendency Towards Details? Inconsistent Results on Auditory and Visual Local-To-Global Processing in Absolute Pitch Musicians.Teresa Wenhart & Eckart Altenmüller - 2019 - Frontiers in Psychology 10.
Continuous Magnitude Production of Loudness.Josef Schlittenlacher & Wolfgang Ellermeier - 2021 - Frontiers in Psychology 12.
Cross-Modal Conflict Increases With Time-on-Task in a Temporal Discrimination Task.András Matuz, Dimitri Van der Linden, Kristóf Topa & Árpád Csathó - 2019 - Frontiers in Psychology 10.
Studies in auditory theory. I. Binaural interaction and the perception of pitch.W. R. Thurlow - 1943 - Journal of Experimental Psychology 32 (1):17.
Analytics
Added to PP
2016-06-30
Downloads
114 (#420,016)
6 months
39 (#219,990)
2016-06-30
Downloads
114 (#420,016)
6 months
39 (#219,990)
Historical graph of downloads
Citations of this work
Online reach adjustments induced by real-time movement sonification.Michael Barkasi, Ambika Bansal, Björn Jörges & Laurence R. Harris - 2024 - Human Movement Science 96:103250.
Elucidating the influences of embodiment and conceptual metaphor on lexical and non-speech tone learning.Laura M. Morett, Jacob B. Feiler & Laura M. Getz - 2022 - Cognition 222 (C):105014.
Cross-modal Association between Auditory and Visuospatial Information in Mandarin Tone Perception in Noise by Native and Non-native Perceivers.Beverly Hannah, Yue Wang, Allard Jongman, Joan A. Sereno, Jiguo Cao & Yunlong Nie - 2017 - Frontiers in Psychology 8.
Correspondences Between Music and Involuntary Human Micromotion During Standstill.Victor E. Gonzalez-Sanchez, Agata Zelechowska & Alexander Refsum Jensenius - 2018 - Frontiers in Psychology 9.
References found in this work
Forms of Vitality: Exploring Dynamic Experience in Psychology, the Arts, Psychotherapy, and Development.Daniel N. Stern - 1985 - Oxford, GB: Oxford University Press.
Spatial representation of pitch height: the SMARC effect.E. Rusconi, B. Kwan, B. Giordano, C. Umilta & B. Butterworth - 2006 - Cognition 99 (2):113-129.
Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context.Zohar Eitan & Renee Timmers - 2010 - Cognition 114 (3):405-422.
Cross-modal interactions in the perception of musical performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley & Daniel J. Levitin - 2006 - Cognition 101 (1):80-113.
Try MATCHA Writer if you're interested in citing directly from PhilPapers and certifying your authorship.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation