Abstract

Museum館collection of works of art, the flood flow in time to show its glory years, but also brought about by the qualification of the corrosion time. Museum visitors can see館past year on behalf of different works of art, not in the same period by the appreciation of the art of painting on the show or not to send the same flow. Starting from the viewing, with visual and turn flow through the feelings of the mind to speculate on the significance of all possible hypothetical transfer. Can not imagine the Museum館subject to geographical restrictions, you can travel everywhere, can be more different cultural backgrounds contact with the audience, allowing viewers free to interpret their "see" content. The presentation of works of art also contains relatively future In order to show it and show the concrete that is not being seen by the artist part. View, enjoy the visual experience with heart Concept of exchange, "image" with the release of the possibility of multiple degree of freedom, so that the meaning of which the characteristics of a secret language nervous, can not stop to be interpreted. At the Museum, works of art reflect their unique time despite the erosion of old age. Visitors can see the evidence of different eras, assess the specific styles and characteristics of each school. From the only view, communicating with the heart, they create possible meanings. An imaginary museum never closes due to geographical constraints, can travel anywhere, meet people from different cultures and allow them to freely interpret their visual impressions. The work of art simultaneously embraces what it does show and what remains invisible. Watching and enjoying thus are the result of communication between sight and perception, where "image" provides many opportunities to meaning and gives mythical force to language so that it can be immediately interpreted