Drive entre Mille Sons: a psychogeographic approach to mobile music and mediated interaction

Technoetic Arts 7 (1):3-12 (2009)
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Abstract

Drive en Mille Sons (Drifting in a Thousand Sounds)is a musical work that uses mobile media technology to artistically examine the relationship between music and the listener. Contemporary media technologies, be they at work, home or in your pocket, emphasize playback. These devices are designed to facilitate the storage and retrieval of pre-made media assets. This work leverages the processing capabilities that rest dormant within these technologies. Drawing from the writings of Guy Debord and the situationist/surrealist practice of the drive, drifting becomes a metaphor for instrumental performance in which the openness and emergence of interactivity is articulated through sound, as music.

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The Production of Space.Henri Lefebvre - 1991 - Cambridge, Mass., USA: Wiley-Blackwell.
The Image of the City by Kevin Lynch.Kevin Lynch - 1962 - Journal of Aesthetics and Art Criticism 21 (1):91-91.
Emergence.T. O’Connor & H. Y. Wong - forthcoming - Stanford Encyclopedia of Philosophy. Metaphysics Research Lab, Csli, Stanford University.
The tuning of the world: toward a theory of soundscape design.R. Murray Schafer - 1977 - Philadelphia: University of Pennsylvania Press.

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