Abstract

The detective fiction of the tradition initiated by Poe and Conan Doyle and continued by Agatha Christie, Dorothy Sayers, Rex Stout and others proposes the unquestioning acceptance of cognitive rationality as a virtually-infallible tool for problem solving and as an instrument of knowledge. In the Holmes narratives, linear reasoning, based on observation grounded in the assumption that phenomena can be “read” in terms of a direct correlation between visual detail and connotative or denotative meanings, is presented as the only true path towards knowledge and understanding. Thus, the narratives implicitly discard the critical and autonomous rationality proposed by Kant. Through their dogmatic insistence on a particular analytical method, they advocate a monist rationality which is repressive and alienated from the reader, in that s/he is not required to be a critical participant, but remains a passive admiring onlooker.