Abstract

This paper examines the extent to which certain aspects of the philosophies of Emmanuel Lévinas and Jean-Luc Marion are directed toward the divine, especially in regard to how they employ religious imagery or even explicitly biblical metaphors, namely those of the face of the neighbor, the glory of the Infinite, the response of the witness, and the breaking or sharing of bread. This will show important parallels and connections between their respective works, but it will also highlight where they diverge from each other. In respect to all four symbols or (biblical) images, I suggest that while it is indeed one (or even the primary) goal of Marion’s work to open phenomenological discourse to enable talk about the divine, Lévinas is instead interested in emptying biblical language of its theological import for purely philosophical (or ethical) purposes.