Abstract

This study analyzes the Al-Moallaqa, a poem traditionally hung on the walls of the Kaaba, the holiest shrine for Muslims, by the pre-Islamic poet Antara bin Shaddad, through the lens of Hegel’s Master-Slave Dialectic. It explores the status of marginal identity, focusing on the poet’s portrayal of the suffering endured due to slavery, humiliation, and deprivation of honor in a tribal society that devalues the enslaved. It also examines self-awareness and the desire for change, addressing the essential awakening of the 'Self', which drives a rejection of marginalization and a commitment to struggle and risk in pursuit of freedom. A qualitative textual analysis is employed, focusing on the thematic exploration of identity, self-awareness, and the struggle for recognition within the poem. Antara’s poetry illustrates this self-awareness through vivid depictions of bravery, heroism, and chivalry, emphasizing the idea of testing oneself and others in the existential struggle between life and death. The contribution of this manuscript lies in its application of Hegelian philosophy to classical Arabic poetry, offering a new interpretative framework for understanding the dynamics of identity and freedom in pre-Islamic literature.