Abstract

During the late 60s and the beginning of the 1970s, the changes within the Communist Party which followed the death of Gheorghe Gheorghiu-Dej, the former Secretary General, led to a certain openness for culture and arts, from an ideological point of view. The so-called ideological “thaw” would not last more than 6 years, but it was needed all along in order for the new nomenklatura system of Ceauşescu’s generation to take over the rule of the state and of the party. This is the broader context in which the relationship between the theatre repertories, the audience and the politics would develop further in a very insidious way. Facing a massive “peasantization of the working class” due to the regime’s investments in the industrial sector, the configuration of the urban population in Romanian cities had changed significantly. The inflow of poorly educated persons had a strong negative impact on the efforts to educate the urban population in the working-class socialist ethics. In this study we are profiling the beneficiaries of the cultural policies of the regime: What were their cultural background and their expectations regarding theatre and why did the authorities intervene in regulating the theatre market?