Abstract

It seems that an intuitive characterization of our emotional engagement with fiction contains a paradox, which has been labelled the ‘Paradox of Fiction’. Using insights into the nature of mental content gained from the disjunctive theory of perception I propose a novel solution to the Paradox, explained and motivated by reference to Kendall Walton’s influential account of fictionality. Using this insight I suggest that we can take the phenomenology of fictional engagement seriously in a way not allowed by Walton.