Virtual Reality Gaming: Perspectives on Immersion, Embodiment and Presence

Leeds, England: Emerald Publishing (2025)
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Abstract

Virtual reality (VR) offers a new medium for video games. But how does VR as a medium affect the aesthetics and design of VR video games? In this chapter my aim is to answer this question. I begin by introducing video games as an art form, then highlight two types of pitfalls that a game’s design can fall prey to. A game can be too permissive, or too restrictive, when structuring the player’s agential role given its aesthetic aims. I argue that VR makes falling into either extreme easier because of the sense of presence VR elicits. After defining the sense of presence, I present a conceptual framework for designing virtual items, then apply this to the sense of presence. I argue that the resultant framework allows us to see how VR exacerbates the two pitfalls, and can help mitigate the difficulties of VR game design.

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References found in this work

Games: Agency as Art.C. Thi Nguyen - 2020 - New York: Oxford University Press.
Value Capture.Christopher Nguyen - 2024 - Journal of Ethics and Social Philosophy 27 (3).
The art of videogames.Grant Tavinor - 2009 - Malden, MA: Wiley-Blackwell.
Philosophy of games.C. Thi Nguyen - 2017 - Philosophy Compass 12 (8):e12426.

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