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Singing (Vignette)
In A Critical Phenomenology of Music: Disclosing/Transposing the Habitual Body Schema. Cham: Springer Nature Switzerland. pp. 87-92 (2025)
Abstract
This short, first-person description of a musical experience focuses on the process of learning to sing by ear in preparation for a choral performance at a funeral. Questions about embodied memory, the temporality of song, and the sociality of musical communities are raised.Author's Profile
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