Abstract

Rilke’s “Sonnets to Orpheus”: Philosophical and Critical Perspectives sheds new light on the philosophical significance of Rilke’s late masterpiece The Sonnets to Orpheus (1923), which Rilke wrote during an intensive period of inspiration in the winter of 1922. While the Duino Elegies (completed during the same period) have historically received more critical and philosophical attention than the Sonnets, this volume serves to remedy the relative neglect and illustrates the unique character and importance of the Sonnets as well as their significant connections to the Elegies. The volume features eight essays by philosophers, literary critics, and Rilke scholars, which explore a number of the central themes and motifs of the Sonnets as well as the significance of their formal qualities. An introductory essay (coauthored by the editors) situates the book in the context of philosophical poetics, the reception of Rilke as a philosophical poet, and the place of the Sonnets in Rilke’s oeuvre. The book’s premise is that an interdisciplinary approach to poetry, and more specifically to Rilke’s Sonnets, can facilitate crucial insights with the potential to expand the horizons of philosophy and criticism. The wide-ranging essays elucidate the relevance of the Sonnets to phenomenology and existentialism, hermeneutics and philosophy of language, philosophical poetics, philosophy of mythology, metaphysics, modernist aesthetics, feminism, ecocriticism, animal ethics, and philosophy of technology.