Abstract

Richard Taft’s discussion focuses on the undoubted fact that a shift occurs in Hegel’s attitude to art. This shift served to put increasing distance between him and the approaches of Schelling and Hölderlin to the issue. Hegel became the defender of the supremacy of philosophy against any Romantic effort to assert art’s superiority, also against the traditional theological subordination of philosophy to religion. It is clear, and Taft is helpful here, that the younger Hegel was not insistent on the primacy of philosophy in this sense. Taft helps us focus on important facets in Hegel’s shift: the cooling of Hegel’s youthful ardor with respect to the Hellenic ideal, the chastening of excessively utopian ideals, the shift in the function of art from the ancient world to modernity, and the importance of the systematic ideal in Hegel’s philosophical development.