Abstract

In response to the catastrophes of the twentieth century, contemporary writers were often led to revolutionize inherited forms of philosophical presentation. And now, in an age of Anthropocene extinction, such experiments have become necessary once again. To comprehend this most recent of disasters, the present essay develops a practice of the philosophical fragment which, by returning to contemporaneous accounts of Auschwitz, Hiroshima, and Chernobyl, seeks to demonstrate what was both anticipated by and wholly unforeseen from within the perspective of earlier attempts at contending with natural and societal disasters. By tracking the changing status of the skies in such writers as Robert Antelme, Marguerite Duras, Günther Anders, Svetlana Alexievich, and Greta Thunberg, the present essay distinguishes this longer twentieth-century history of destruction from the work of extermination now underway.