Making and Hearing Meaning in Performance

Nordic Journal of Aesthetics 18 (33-34) (2006)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.7146/nja.v18i33-34.2831

Other Versions

No versions found

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Hearing Bad News.Janice Morse - 2011 - Journal of Medical Humanities 32 (3):187-211.
Situations of Choice: Configuring the Empowered Consumer of Hearing Technologies. [REVIEW]Anette Lykke Hindhede - 2015 - Health Care Analysis 23 (3):221-237.
Some remarks on “hearing-as” and its role in the aesthetics of music.Alessandro Arbo - 2009 - Topoi 28 (2):97-107.
The world of sounds.Casey O’Callaghan - 2009 - The Philosophers' Magazine 45 (45):63-69.
What We Hear.Jason Leddington - 2013 - In Richard Brown, Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Dordrecht: Springer Studies in Brain and Mind.

Analytics

Added to PP
2013-12-01

Downloads
64 (#938,430)

6 months
3 (#1,848,903)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

On the resistance of the instrument.Tom Cochrane - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer, The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. Oxford, GB: Oxford University Press. pp. 75-83.

Add more citations

References found in this work

An outline of a theory of affordances.Anthony Chemero - 2003 - Ecological Psychology 15 (2):181-195.
Music and mediation : Toward a new sociology of music.A. Hennion - 2003 - In Martin Clayton, Trevor Herbert & Richard Middleton, The Cultural Study of Music: A Critical Introduction. Routledge. pp. 80--91.
Music as performance.N. Cook - 2003 - In Martin Clayton, Trevor Herbert & Richard Middleton, The Cultural Study of Music: A Critical Introduction. Routledge. pp. 204--214.
Absolute Music and the Construction of Meaning. - 2002 - Journal of Aesthetics and Art Criticism 60 (2):200-201.

Add more references