Abstract

A slow study of the letters written by Nietzsche in the last five years of his conscious life shows a suffering man who trans-values the sorrow of his body recognizing it as both a face and a mask. The subject fades within history, art, science, within the time that becomes eternal through the death and beyond it, through the speech that becomes the seal of the world. Despite every insufficient reading which underlines the pathological feature in Nietzsche’s last writings madness has been a real fiction: it became the Great Health in which “it’s finished” and the ego multiplies and vanishes in “all the names of History”