Logos of Cinema

In Terrence Malick’s Unseeing Cinema: Memory, Time and Audibility. Cham: Springer Verlag. pp. 49-89 (2018)
  Copy   BIBTEX

Abstract

This chapter proposes a logos of cinema as an unseeing engagement with time, particularly as conceived through Deleuze’s terms. His writings on visual aspects of cinematic subjectivity, virtual/actual dynamics, and hodological/crystalline mnemonic states are reworked through audible engagements of simultaneity and coexistence, giving rise to independence and inseparability. Unseeing audibility opens to a logos of signs, an availability of relations with which a film’s character may or may not attend. Various logos engagements are explored through the films of Bresson, Tarkovsky, Coppola, and Wenders. Malick’s logos is expressed as a reaching forward from what has become lost, a fragmented audible gathering in memory, and a matrix of audible collisions.

Other Versions

No versions found

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2025-06-07

Downloads
14 (#1,971,013)

6 months
5 (#1,638,944)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references