Abstract

This article serves as an introduction to central ideas and thoughts formulated by Valery Podoroga. The author undertakes a task of interpreting “anthropogram,” a key tool and procedure developed in Podoroga’s analytical anthropology. In order to clarify this notion, the article discusses a highly original conception of mimesis, first introduced in Podoroga’s book of the same name, as well as Podoroga’s own method of analysis, based on the experience of Russian literature. Examining the important function that the concept of death has in Podoroga’s systematic, the author points to essential links between the philosopher’s mental strategy and the ideas of Russian formalism and deconstruction. The death becomes directly related to the mimetic capacity and deprived of its negative component. This is one more way to overcome metaphysics: to turn death into an analytical tool, which in the space of literature revives the archaic layer of sensuality, where thought and action come to be indistinguishable, and a sign of their plexus is anthropogram.