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Prisms
Theodor W. Adorno (ed.)
MIT Press (1981)
Abstract
The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museums.Other Versions
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Citations of this work
Hegel, Adorno and the Origins of Immanent Criticism.James Gordon Finlayson - 2014 - British Journal for the History of Philosophy 22 (6):1142-1166.
Adorno, Ethics and Business Ethics.Craig Reeves, Jaakko Nevasto & Matthew Sinnicks - 2025 - In Carolina Machado, Ethics in Management and Business. Springer. pp. 1-20.
Adorno, Jiddu Krishnamurti, and Critical Theory: Negative Dialectics and Non-identity Thinking.Sunny Dhillon - 2023 - Comparative and Continental Philosophy 15 (3):181-194.
Le modernisme récalcitrant de Roberto Schwarz.Raphael F. Alvarenga - 2023 - Letterature D'America 43 (195):99-114.
Panels and faces: segmented metaphors and reconstituted time in Art Spiegelman's Maus.Liam Kruger - 2015 - Critical Arts: South-North Cultural and Media Studies 29 (3):357-366.
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