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Theatre Scenes: Let’s take a little time to not forget about the Doras

Fringe rolls on, rivalries get heated and awards results are still worth thinking about

Fringe Review: ‘The Wounds of Love and Other Gifts’ brings Broadway talent to the Fringe

Bruce Dow shows he can write, compose and direct in addition to being a much-lauded performer

Review: ‘Supergirl’ is super bad, and not in a good way

Joyless superhero film a formless mishmash of sci-fi tropes

Fringe Review: ‘Such Ado!’ is an adorkable, glittery Shakespearean romp

Some Cupid kills with arrows, some with cute soccer players

Review: ‘The Outsiders’ is a jaw-dropping production that delivers an emotional punch

Tony-winning musical soars with seamless stagecraft

Theatre Scenes: AI and Shakespeare overtake the 2026 Toronto Fringe programming

Your thematically structured guide to an abundance of options at the 2026 Toronto Fringe

Review: Erin Shields’s “Medusa” is impressive in its technical ambition, but there’s a little too much feedback

Soulpepper and Outside the March collab speaks in forked tongues

Review: Stratford’s ‘Guys and Dolls’ makes the 1950s anything but black and white

A beginner’s guide to the much-beloved Golden Age musical mainstay

Interview: ‘Blood Lines’ director discusses the long road to the big screen

Script for "Blood Lines" changed greatly over many years of development

Review: Steven Spielberg’s ‘Disclosure Day’ is an alien-light disappointment

Master filmmaker fumbles his latest ‘We are not alone’ effort
Promotional poster for

Fringe Review: ‘Assembly Süggested’ offers a step-by-step guide to catharsis

A piercing deconstruction of … well, something

Black and white promotional photo of the three-member band July Crowd sitting on a couch, with the center member holding a bouquet of vibrant purple roses. A Manic Kat Records logo is visible in the background.

Calgary band premier emotional new video

Song tfrom band's latest EP is slight departure from their previous work

Tess Barão, Jillian Peters, Mackenzie Langdon, Tyler Winder, KC Martinez, and Nolan Rush pose on a wooden stage with a black backdrop, dressed in professional black and grey attire. A man with glasses is centered, seated on a stool, surrounded by the others in various theatrical poses.

Fringe Review: ‘UNSUNG: The Accidental Villains of History’ provokes some serious thought — seemingly by accident

Fluffy song cycle raises questions about intentionality, damage and consequences

Jessica Li, centre, is ensnared in a rope net, embodying the struggles and severance at the heart of He-r'tz. Photograph by Nikolas Mui.

Fringe Review: ‘He-r’tz’ reframes the news cycle as a movement cycle

Physical theatre piece offers soulful movement through dystopian lens

A couple seated on doorsteps looking lovingly at each other

Fringe Review: ‘Sincerely, E’ is a tender portrait of identity and migration

A heartfelt production sealed with powerful dialogue

Catherine Laga’aia as Moana

Review: Disney delivers a dismal dud in unnecessary ‘Moana’ adaptation

Lifeless CGI fails to hit the heights of original animation

A promotional portrait of Agneya with long black hair and a beard, looking to the side. They are wearing a bright fuzzy orange cardigan over a white turtleneck and textured brown trousers, sitting against a textured beige wall with dramatic spotlighting.

Toronto Jazz Fest award winner reflects on his breakout year

Agneya is a jazz singer unlike any other out there

Side-profile anime drawing of a cyborg woman with messy blue hair, closed eyes, and a white mechanical suit. Multiple thick cables and wires plug directly into ports on her back, shoulder, and forearm, suspending her in a futuristic, industrial environment.

Streaming picks: Apple TV keeps ‘Trying’ and ‘Little House’ finds a home

Burning Man comes in hot and Jeff Arcuri gets his special

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What Else is NEXT

A man who is covered in green computer-like projections, looks into the distance with his hand touching his headset.
Fringe review: ‘Orbit’ is a galactic adventure that keeps its critiques down to earth
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Fringe review: ‘Little One’ is tense, suffocating and really good drama
Photo of 3 people in a shower partially covered by a shower curtain. All making evocative expressions and faces of shock.
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Muhammad Akbar Lashari, Jing Cui , and Antong Xu in rehearsal for who? hú 狐
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The three actors wear black outfits on stage , the actor in the centre wears a measuring tape around her neck. They stand in front of a black background
Fringe Review: ‘Danse Macabre’ puts the labour, history and community of Carnival centre stage
The cast of The Wounds of Love and Other Gifts is together in a sunlit rehearsal room, being directed by the show’s creator Bruce Dow. Bruce (a man with light skin and grey hair, wearing a blue short sleeve button-down over a white tank top, khaki shorts, and running shoes) stands at centre. To his left are Priya Khatri (a woman with medium-dark skin, long black hair and a long sleeve plaid shirt) and, seated behind an electric keyboard, Music Director Ethan Rotenberg (a man with light skin and short, dark brown hair). Behind Bruce are Erinn Bekkers (a woman with light skin, dirty-blond hair wearing a blue head band and an all black outfit), Kendra Dyck(a woman with light skin and long blonde hair wearing a light blue plaid shirt and beige linen pants), and, standing atop a tall blue metal ladder, Ronan Hayes (a man with light skin and blonde hair wearing an all black outfit). To their right stands Braeden Soltys (a man with light skin, brown hair, a short beard, a black t-shirt and grey pants), who is looking over his shoulder to Bruce’s instructions.
Fringe Review: ‘The Wounds of Love and Other Gifts’ brings Broadway talent to the Fringe

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