| Script: | ? |
| Pencils: | Henry Kiefer (signed as H. C. Kiefer ) (painting) |
| Inks: | Henry Kiefer (signed as H. C. Kiefer ) (painting) |
| Colors: | Henry Kiefer (signed as H. C. Kiefer ) (painting) |
| Letters: | typeset |
Story title taken from the actual story in the issue this cover was based on.
Art was previously credited to Harry G. Peter, but is more likely to be Seymour Pearlstein, whose style can closely resemble that of Peter.
| Script: | ? |
| Pencils: | Jimmy Thompson (signed) |
| Inks: | Jimmy Thompson (signed) |
| Colors: | ? |
| Letters: | ? |
Artist correction from A. Thompson to Jimmy Thompson by Craig Delich 2012-10-31.
Non-stereotypical portrayal of African-Americans.
| Script: | ? |
| Pencils: | Al Williamson (signed as AW) |
| Inks: | Al Williamson (signed as AW) |
| Colors: | ? |
| Letters: | ? |
Art Credit From The Art Of Al Williamson (1983 series) #[nn].
Keith Chandler ; Williamson signs his initials in the penultimate panel.
Previously creditd to Harry G. Peter.
Everett art credits confirmed by Blake Bell and Doc Michael Vassallo.
Keith Chandler : I cannot agree. This is clearly signed 'H. L.' in the second panel. The fluid and dynamic poses of the female figures in particular, and the gorgeous features, suggest Harry Lazarus.
Is it Peter or is it Pearlstein?
Gil Kane art credit from Ger Apeldoorn (Per Ger Apeldoorn posting to the Grand Comics Database on 30 June 2019).
Harry G. Peter has been suggested, but if so it is by his studio assistants. More likely to be Pearlstein.
This is the cover story.