Credits for pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics. Colors credit provided by Anthony Tollin.
On-sale date from Comic Reader #115.
| Script: | Len Wein (credited) |
| Pencils: | Ernie Chan (credited as Ernie Chua) |
| Inks: | Dick Giordano (credited) |
| Colors: | ? |
| Letters: | |
| Editing: | Julius Schwartz (credited) (editor) |
in Batman Superband (Egmont Ehapa, 1974 series) #3 (1978)
in Batman Classics (Classics/Williams, 1970 series) #128 (1980)
in Lynvingen (Semic, 1977 series) #12/1980 (uke 48 1980)
in Läderlappen (Semic, 1976 series) #12/1980 (december 1980)
in The Best of DC (DC, 1979 series) #9 (January-February 1981)
in Läderlappen (Semic, 1976 series) #1/1981 (Januari 1981)
in Tales of the Batman: Len Wein (DC, 2014 series) (2014 [February 2015])
in Récit Complet Batman (Urban Comics, 2017 series) #6 - Batman : La légende secrète (avril 2018)Part four of a five-part story.
Credits for script, pencils and inks confirmed from Julius Schwartz's editorial records, provided by DC Comics.
Phantom Stranger cameo at bottom of page 2; was supposed to have been in the story but was cut out (all but this cameo).
| Script: | Bob Rozakis (credited) |
| Pencils: | A. Martinez (credited as Martinez) |
| Inks: | José Massaroli (credited as Mazzaroli) |
| Colors: | ? |
| Letters: | ? |
| Editing: | Julius Schwartz (credited) (editing) |
in Batman Classics (Classics/Williams, 1970 series) #70 (1976)
in Läderlappen (Williams Förlags AB, 1969 series) #1/1976 ([januari] 1976)
in Lynvingen (Illustrerte Klassikere / Williams Forlag, 1969 series) #1/1976 ([januar] 1976)
in Batman Poche (Sage - Sagédition, 1976 series) #7 (juin 1977)
in Showcase Presents: Robin the Boy Wonder (DC, 2008 series) #1 ([March] 2008)
in Robin: The Bronze Age Omnibus (DC, 2020 series) ([May] 2020)Credits for script confirmed from Julius Schwartz's editorial records, provided by DC Comics. The records credit Continuity Studios with the pencils and inks.
When asked about this, Bob Rozakis said: "[Martinez and Mazzaroli] were South American artists that Neal Adams convinced Julie Schwartz to give a try. You might notice that some of the character heads look like Neal did them rather than Martinez and Mazzaroli."
| Script: | |
| Pencils: | Carmine Infantino (logo illustration) |
| Inks: | ? (logo illustration) |
| Colors: | ? (logo illustration) |
| Letters: | typeset |
Letters of comment from Charlie Steele, R. Kirk Forster and Antone Perry.
| Letters: | typeset |
Statement of October 1, 1974
Average number of copies sold during preceding 12 months (total paid circulation): 145,832
Actual number sold for issue nearest filing date (total paid circulation): 129,371
Owner: National Periodical Publications, Inc., wholly owned by Warner Communications, Inc., a publicly-held company, both at 75 Rockefeller Plaza, N.Y., N.Y. 10019