| Pencils: | Bob Bolling (signed) |
| Inks: | Bob Bolling (signed) |
| Colors: | ? |
| Letters: |
The scene depicted on this cover does not appear anywhere in the issue (or any other); it's just a way to show Little Archie as a heroic character.
Little Betty and Veronica have been re-designed a bit as of this cover; Betty now sports a ponytail like her teen counterpart.
With this issue, the title was reduced from 84 to 68 pages. On-sale date from 1962 Periodicals, Copyright Office, Library of Congress.
| Script: | |
| Pencils: | Bob Bolling (signed) |
| Inks: | Bob Bolling (signed) |
| Colors: | ? |
| Letters: |
A combination of science-fiction and satire of the music business. Herbnik's musical downfall is an obvious reference to the copying of African-American music by white performers in the late '50s.
| Script: | |
| Pencils: | Bob Bolling (signed) |
| Inks: | Bob Bolling (signed) |
| Colors: | ? |
| Letters: |
First appearance of Polly Cooper. She would have her own story in each of the next three issues, plus another story in Little Archie #36. She was brought into the "big" Archie continuity in the late '80s.
| Script: | Louis H. Silberkleit (credited) (publisher) |
| Letters: | typeset |
in Archie Comics Digest (Archie, 1973 series) #30 (June 1978) [minus one page]First appearance of the Johnson family. Mr. Johnson was Dexter Taylor's attempt to create his own version of Mr. Wilson from "Dennis the Menace."