In this Issue

Table of Contents

Henry James and Titian: A Community of Americo-Venetians

Ilona Mannan
pp. 1-13
DOI: https://doi.org/10.1353/hjr.2025.a950893
free access

It’s a Kind of Magic: Henry James’s “Covering End” and the Ghost in the Literary Machina

Fabio L. Vericat
pp. 14-29
DOI: https://doi.org/10.1353/hjr.2025.a950894
free access

The London Encounter in “Daisy Miller”: James and the Henley Circle

Misun Yun
pp. 30-44
DOI: https://doi.org/10.1353/hjr.2025.a950895
free access

Reading James Reading Roughead: “Take a Bite Out of (True) Crime”

Melanie Ross
pp. 45-55
DOI: https://doi.org/10.1353/hjr.2025.a950896
free access

Henry James Framed: An Addendum

Michael Anesko
pp. 56-61
DOI: https://doi.org/10.1353/hjr.2025.a950897
free access

“As if she had been Helen on the walls of Troy”: Offstage Narratology in The Other House (1896)

Sarah Chambre
pp. 62-88
DOI: https://doi.org/10.1353/hjr.2025.a950898
free access

The Anxiety of “Slighted Charms”: The Hysteric’s Desire, Fantasy, and Affect in Henry James’s “The Turn of the Screw”

Seokwon Yang
pp. 89-107
DOI: https://doi.org/10.1353/hjr.2025.a950899
free access

The Grand Affair: John Singer Sargent in His World by Paul Fisher (review)

Mary M. Burke
pp. E-1-E-3
DOI: https://doi.org/10.1353/hjr.2025.a950901
free access

The Literary Legacy of Child Sexual Abuse: Psychoanalytic Readings of an American Tradition by Beverly Haviland (review)

Thomas Constantinesco
pp. E-4-E-5
DOI: https://doi.org/10.1353/hjr.2025.a950900
free access

An American Painter in Venice: Ralph W. Curtis and the Palazzo Barbaro by Rosella Mamoli Zorzi (review)

Ilona Mannan
pp. E-6-E-8
DOI: https://doi.org/10.1353/hjr.2025.a950902
free access