In this Issue

Table of Contents

Can't Buy Me Love:

Shankar Raman
pp. 135-168
DOI: https://doi.org/10.1353/crt.2001.0017
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What Was Performance?

Mary Thomas Crane
pp. 169-187
DOI: https://doi.org/10.1353/crt.2001.0013
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"Telling Brutal Things": Colonialism, Bloomsbury and the Crisis of Narration in Leonard Woolf's "A Tale Told by Moonlight"

Anindyo Roy
pp. 189-210
DOI: https://doi.org/10.1353/crt.2001.0018
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Sexuality and Form: Caravaggio, Marlowe, and Bacon (review)

Bruce R. Smith
pp. 213-217
DOI: https://doi.org/10.1353/crt.2001.0020
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Outsiders Together: Virginia and Leonard Woolf (review)

Brenda R. Silver
pp. 217-221
DOI: https://doi.org/10.1353/crt.2001.0019
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The Measure of Life: Virginia Woolf's Last Years (review)

Lisa Low
pp. 221-224
DOI: https://doi.org/10.1353/crt.2001.0016
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Putting History to the Question: Power, Politics, and Society in English Renaissance Drama (review)

Ira Clark
pp. 225-228
DOI: https://doi.org/10.1353/crt.2001.0012
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Truth and Consequences: Intentions, Conventions, and the New Thematics (review)

Patrick Colm Hogan
pp. 228-232
DOI: https://doi.org/10.1353/crt.2001.0014
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At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture (review)

Alison Landsberg
pp. 232-235
DOI: https://doi.org/10.1353/crt.2001.0015
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Silent Urns: Romanticism, Hellenism, Modernity (review)

Daniel P. Watkins
pp. 236-238
DOI: https://doi.org/10.1353/crt.2001.0021
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Contemporary Irish Fiction: Themes, Tropes, Theories (review)

James M. Cahalan
pp. 239-241
DOI: https://doi.org/10.1353/crt.2001.0011
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