In this Book

summary

Lisa William's poems are infused with what John Hollander calls "a guarded wonder." A poet of unique vision, she seems always to be "looking at," with special attention to the experience of the senses. Moreover, Williams is equally concerned with epistemology—the how of seeing. And it is perhaps this quality of attention that informs her interest in the formulations of poetry itself, in its constructed dimension. Her control of the line, of rhythmic possibilities, of structures both formal and free, is evident in every poem. Together, William's original voice and her poetic finesse allow her to create those harmonies of wonder evoked by the very instrument, the hammered dulcimer, that gives her collection its name. Judge for the 1998 May Swenson Poetry Award was John Hollander, poet, critic, professor. Long a major figure in American letters, Hollander was a personal friend to May Swenson, and has influenced the work of many of our best emerging poetic voices.

Table of Contents

Cover

Frontmatter

Contents

Foreword by John Hollander

pp. xi-xii

The Direction of Shadow

pp. 5-6

Sunday Morning

pp. 7-8

Interruption of Flight

pp. 9-10

Yellow Bird

pp. 11-11

What the Wind Said to the Girl Who Was Afraid

pp. 12-12

The Fall

pp. 13-13

The Tenderness: for Neil

pp. 14-14

The Hammered Dulcimer

pp. 15-16

Complaint

pp. 17-17

Eve, After Eating

pp. 18-18

Man Walking

pp. 19-19

Black Horses

pp. 20-20

The Growth

pp. 21-21

Manners, 1977

pp. 22-23

A Spider

pp. 24-24

The Man by the River

pp. 25-25

Banquet

pp. 26-27

To Night

pp. 28-28

On the Nature of Beauty

pp. 29-30

Romantic Relief

pp. 31-31

Negation

pp. 32-32

Landscape

pp. 33-34

A Wind in Place: after Stevens

pp. 35-35

Crater

pp. 36-37

On a Worm Descending a Thread

pp. 38-39

A Story of Swans

pp. 40-42

God Put the Noose Around My Neck

pp. 43-44

The Grasshopper

pp. 45-46

The End of Spring

pp. 47-48

In the Abstract

pp. 49-50

Ambivalence

pp. 51-51

The Chant

pp. 52-53

A Forward Spring

pp. 54-54

Rattlesnake

pp. 55-56

In the Valley

pp. 57-57

After a Line of Plato

pp. 58-61

Acknowledgments

pp. 62-62

About the Author

pp. 63-63

About the May Swenson Award

pp. 77-78
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