In this Book
Framed: The New Woman Criminal in British Culture at the Fin de Siecle
Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque?
In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.
"This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century."
---John Kucich, Professor of English, Rutgers University
"Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded."
---Jonathan Freedman, Professor of English and American Culture, University of Michigan
Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis.
digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Table of Contents
Cover
Title Page
Copyright Page
Acknowledgments
CONTENTS
List of Illustrations
Introduction
PART ONE: DETECTIVE SERIES
ONE: Private and Public Eyes - Sherlock Holmes and the Invisible Woman
TWO: Beautiful For Ever! - Cosmetics, Consumerism, L. T. Meade, and Madame Rachel
PART TWO: CRIME FILM
THREE: The Limits of the Gaze - Class, Gender, and Authority in Early British Cinema
PART THREE: DYNAMITE NARRATIVE
FOUR: Dynamite, Interrupted - Gender in Jamesâs and Conradâs Novels of Failed Terror
FIVE: âAn Invitation to Dynamiteâ - Female Revolutionaries in Late-Victorian Dynamite Narrative
Afterword
Notes
Films Cited
Works Cited
Index
| ISBN | 9780472900473 |
|---|---|
| Related ISBN(s) | 9780472024469, 9780472050444, 9780472070442 |
| DOI | 10.1353/book.6420![]() |
| MARC Record | Download |
| OCLC | 436155908 |
| Pages | 295 |
| Launched on MUSE | 2012-01-01 |
| Language | English |
| Open Access | Yes |
| Creative Commons | CC-BY-NC-ND |




