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Cultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America

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2004
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Cultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America examines the interplay between the familiar and the forgotten in tales of America’s first century as a nation. By studying both the common concerns and the rising tensions between the known and the unknown, the told and the untold, this book offers readers new insight into the making of a nation through stories. Here, identity is built not so much through the winnowing competition of perspectives as through the cumulative layering of stories, derived from sources as diverse as rumors circulating in early patriot newspapers and the highest achievements of aesthetic culture. And yet this is not a source study: the interaction of texts is reciprocal, and the texts studied are not simply complementary but often jarring in their interrelations. The result is a new model of just how some of America’s central episodes of self-definition—the Puritan legacy, the Revolutionary War, and the Western frontier—have achieved near mythic force in the national imagination. The most powerful myths of national identity, this author argues, are not those that erase historical facts but those able to transform such facts into their own deep resources.

Table of Contents

Cover

Half-Title Page, Title Page, Copyright, Dedication, Quote

pp. i-vi

Contents

pp. viii

Acknowledgments

pp. ix-x

Introduction: The Storyteller in American National Romance

pp. xi

Part 1. Imagining Cultural Origins in James Fenimore Cooper's The Spy

1. Storytelling on the Neutral Ground

pp. 3-11

2. The Creation of American Martyrs

pp. 12-35

3. From Revolutionary Legend to Historical Romance

pp. 36-48

4. Remembering the Revolution in The Spy

pp. 49-68

Part 2. History's Revolutions in Nathaniel Hawthorne's The Scarlett Letter

5. The Artifact in the Attic

pp. 71-80

6. New England's Revolution in Hiding

pp. 81-97

7. Hester Prynne's Ancestry

pp. 98-105

8. From Artifact to Archetype

pp. 106-132

PART 3. "Traces of a Vanished World" in Owen Wister's The Virginian

9. Romance and Nostalgia in The Virginian

pp. 135-143

10. Imagined Contexts for Frontier Heroes

pp. 144-159

11. Storytelling and Evolution's Losses in The Virginian

pp. 160-176

Conclusion: The Storyteller's Legacy from Quentin Compson to Oedipa Maas

pp. 177-192

Notes

pp. 193-234

Bibliography

pp. 235-250

Index

pp. 251-259
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