So bad it's bad. It's a low-budget spin on a low-budget cult film, with zero talent on display. The cast is horrible, the plot is boring, and the effects are cheesy. The film doesn't take itself too seriously, but even that feels like a cop-out. A mere excuse to not try too hard, and that's exactly how it came off.
I'm sure there's an audience for this. With some beers and some mates shouting nonsense at the screen, this may…
Well, this was odd. People who know a thing or two about the Sino-Japanese War will surely be familiar with the number 731. It represents a dark page in human history, and Linshan Zhao tackles it in a way that reminded me of Benigni's La Vita È Bella, only with the horror intact.
It's a strange mix of genres. Interesting in a way, but also a little iffy considering the historical events. The presentation is fine (save some poor CG),…
This film asks a lot from its audience. You have to be able to keep with the outlandish art style, the high levels of comedy and absurdity mixed with a well-considered (how implausible as it might be) storyline and the constant assault on the senses. In return, you get one of the most uniquely satisfying anime ever released. A film that can only be compared with a very concise selection of otherwise incomparable animation projects. Hells is a true delight if you appreciate your films a little different, if not it's probably best to stay away from it as far as possible.
Full review:
www.onderhond.com/blog/heruzu-enjueruzu-review-yoshiki-yamakawa
This film, being made in just a week, is obviously a little rough around the edges. At the same time, there's also a level of vitality and energy that is often lacking from films that are more meticulously planned. Tsutsumi made some smart decisions, keeping the cinematography and soundtrack more functional, while focusing on elements that were able to stand out more easily. With two spirited actresses, a fun and progressively more over-the-top script, nifty dark comedy and a very…
