Strange Interlude (1932)

110 or 112 mins | Melodrama | 30 December 1932

Director:

Robert Z. Leonard

Cinematographer:

Lee Garmes

Editor:

Margaret Booth

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

After the opening credits, a written prologue states: "In order for us fully to understand his characters, Eugene O'Neill allows them to express their thoughts aloud. As in life, these thoughts are quite different from the words that pass their lips." Throughout the film, a voice-over narrative technique is used to express the thoughts of the characters. According to a HR news item, the film, which was originally bought for Norma Shearer in 1929, became "a headache" to M-G-M because the studio had difficulty in casting and dramatizing the nineteen act, nine character film. An article in the Los Angeles Record in early Feb 1929 noted that director Clarence Brown had gone to New York to look at some Broadway plays for M-G-M, among them Strange Interlude. The article speculated that Brown was involved in negotiations for the studio to purchase the play, but the extent of Brown's involvement in the planning of the 1932 film has not been ascertained. A production photograph shows cameraman William Daniels on the set of the film, but his participation in the released film is not known. A NYT article noted that the regatta sequence of the picture was filmed on location at Santa Catalina Island.
       O'Neill's play was parodied by the Marx Bros. in the 1930 Paramount film Animal Crackers (see AFI Catalog of Feature Films, 1921-30; F2.0126). The film was parodied in the 1932 Fox film Me and My Gal, in a scene in which the character played by Spencer Tracy tells the character played by Joan Bennett that he had just ...

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After the opening credits, a written prologue states: "In order for us fully to understand his characters, Eugene O'Neill allows them to express their thoughts aloud. As in life, these thoughts are quite different from the words that pass their lips." Throughout the film, a voice-over narrative technique is used to express the thoughts of the characters. According to a HR news item, the film, which was originally bought for Norma Shearer in 1929, became "a headache" to M-G-M because the studio had difficulty in casting and dramatizing the nineteen act, nine character film. An article in the Los Angeles Record in early Feb 1929 noted that director Clarence Brown had gone to New York to look at some Broadway plays for M-G-M, among them Strange Interlude. The article speculated that Brown was involved in negotiations for the studio to purchase the play, but the extent of Brown's involvement in the planning of the 1932 film has not been ascertained. A production photograph shows cameraman William Daniels on the set of the film, but his participation in the released film is not known. A NYT article noted that the regatta sequence of the picture was filmed on location at Santa Catalina Island.
       O'Neill's play was parodied by the Marx Bros. in the 1930 Paramount film Animal Crackers (see AFI Catalog of Feature Films, 1921-30; F2.0126). The film was parodied in the 1932 Fox film Me and My Gal, in a scene in which the character played by Spencer Tracy tells the character played by Joan Bennett that he had just seen a film entitled "Strange Inner Tube or something." For the rest of the scene, as the characters speak, their "inner thoughts" are heard in voice-over narration, for comic effect.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
General (mod):
Personal note credit:
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
9 Feb 1932
p. 6
Film Daily
28 Apr 1932
p. 3
Film Daily
8 Jul 1932
p. 22
Film Daily
28 Jul 1932
p. 8
HF
30 Jan 1932
p. 8
HF
3 Feb 1932
p. 8
HF
5 Mar 1932
p. 8
Hollywood Reporter
28 Jul 1931
pp. 1-2
Hollywood Reporter
2 Jun 1932
p. 1
International Photographer
Aug 1932
p. 30
Motion Picture Herald
16 Jul 1932
p. 5
Motion Picture Herald
3 Sep 1932
pp. 11-12
New York Times
22 May 1932
---
New York Times
1 Sep 1932
p. 24
Variety
6 Sep 1932
p. 15
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION TEXT
A Robert Z. Leonard Production
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITERS
Dial and cont
Dial and cont
PHOTOGRAPHY
Photog
Cam op
Asst cam
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Gowns
PRODUCTION MISC
Still photog
SOURCES
LITERARY
Based on the play Strange Interlude by Eugene O'Neill (New York, 30 Jan 1928).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
30 December 1932
Production Date:
early Feb--late Apr 1932
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
11 October 1932
LP3314
Physical Properties:
Sound
Western Electric Sound System
Black and White
Duration(in mins):
110 or 112
Length(in reels):
12
Country:
United States
SYNOPSIS

In a small New England university town, shortly after the World War, writer Charlie Marsden returns home from Europe and visits Nina Leeds, the woman he secretly loves. When he arrives at the Leeds home, Charlie interrupts an argument between Nina and her father, Professor Leeds. Nina is distraught and hysterical over the death of her lover Gordon, who perished in a plane crash during the war, and blames her father for preventing Gordon from marrying her. To atone for Gordon's loss, Nina insists upon going to Boston to work as a nurse in a sanitarium for wounded soldiers. Her father objects, but finally admits that his own jealousy drove him to prevent Nina's marriage, and agrees to let her go. One year later, Nina is called home when her father falls gravely ill. By the time she arrives home, accompanied by her colleague, Dr. Ned Darrell, and Sam Evans, and old friend of Gordon's, her father has died. At the Leeds house, Sam tells Charlie that he has proposed to Nina, and when Charlie questions Ned about Sam, Ned declares that he thinks marriage to Sam would offer salvation to the morbid Nina. When Nina confesses to Charlie that her obsession with Gordon has caused her to be promiscuous with men, Charlie, a weak-willed mama's boy, realizes that Nina needs a strong man and urges her to marry Sam. Hoping that a normal married life with children will restore equilibrium to her life, Nina agrees to the match. Nina's realizes her mistake during their honeymooon, however, when Sam's mother confides in her that insanity runs through the Evans family, making ...

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In a small New England university town, shortly after the World War, writer Charlie Marsden returns home from Europe and visits Nina Leeds, the woman he secretly loves. When he arrives at the Leeds home, Charlie interrupts an argument between Nina and her father, Professor Leeds. Nina is distraught and hysterical over the death of her lover Gordon, who perished in a plane crash during the war, and blames her father for preventing Gordon from marrying her. To atone for Gordon's loss, Nina insists upon going to Boston to work as a nurse in a sanitarium for wounded soldiers. Her father objects, but finally admits that his own jealousy drove him to prevent Nina's marriage, and agrees to let her go. One year later, Nina is called home when her father falls gravely ill. By the time she arrives home, accompanied by her colleague, Dr. Ned Darrell, and Sam Evans, and old friend of Gordon's, her father has died. At the Leeds house, Sam tells Charlie that he has proposed to Nina, and when Charlie questions Ned about Sam, Ned declares that he thinks marriage to Sam would offer salvation to the morbid Nina. When Nina confesses to Charlie that her obsession with Gordon has caused her to be promiscuous with men, Charlie, a weak-willed mama's boy, realizes that Nina needs a strong man and urges her to marry Sam. Hoping that a normal married life with children will restore equilibrium to her life, Nina agrees to the match. Nina's realizes her mistake during their honeymooon, however, when Sam's mother confides in her that insanity runs through the Evans family, making it unthinkable for her to have a baby with Sam. Mrs. Evans tells Nina that Sam knows nothing about the "family curse" and suggests that Nina have a child by another man. Nina soon begins to detest her husband, and when Ned visits, she tells him about the Evans curse and the two decide to conceive a child. During their afternoon together, Nina realizes that she loves Ned, but Ned struggles against her love and the control over his life that it implies. To prevent Nina from telling Sam about their love, Ned announces that Nina is pregnant and that he is leaving for Europe for a year. During Ned's absence, Nina gives birth to a son, whom she names Gordon. No longer able to deny his love for Nina, Ned returns and begs her to run away with him but, Nina, realizing that Sam would be destroyed, proclaims that she is happy with her "three men" and her baby. Mirroring their "silent partnership" in Nina's marriage, Ned and Charlie become silent partners in Sam's business and Sam makes them all wealthy. As Gordon grows to boyhood, he develops a hatred of Ned, who spends most of his time at his biological station in the West Indies. Time passes and Gordon, now an adult, becomes an outstanding college athlete. One day when Ned, Charlie, Nina and Sam assemble to watch Gordon compete in a regatta, Ned announces that he plans to marry his sweetheart, Madeleine. Unwilling to relinquish her son, Nina violently objects and asks Ned to stop the marriage and tell Sam the truth about his paternity. When Ned refuses, a frustrated Nina tells Charlie the truth. Gordon wins the regatta and Sam, overcome with excitement, suffers a fatal heart attack. After the funeral, as Gordon prepares to leave with Madeleine, he and Ned quarrel and Gordon strikes Ned, causing Nina to blurt out that he has struck his own father. Gordon misunderstands, however, and confesses that he always sensed Nina and Ned's love for each other and gives them his blessing. Ned is about to tell Gordon the truth when Nina stops him. After Gordon leaves, Nina tells Ned that their life has not been in vain because they have "saved Sam's soul." Realizing that it is too late for them to find happiness together, Ned departs, leaving Nina with the faithful Charlie.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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