Hell's Kitchen (1939)

82 mins | Drama | 8 July 1939

Cinematographer:

Charles Rosher

Production Designer:

Hugh Reticker

Production Company:

Warner Bros. Pictures, Inc.
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HISTORY

Sources conflict over the producer of this film. Although the onscreen credits do not contain a producer credit, Var lists Mark Hellinger as producer and Bryan Foy as associate producer, while DV and SAB list Hellinger as associate producer and Foy as producer. According to the Var review, this was the last gangster angle picture for the Dead End Kids because of complaints registered by the PTA. A news item in HR adds that the film had a benefit performance for the Grant Street Boys, an East Side group for impoverished boys. Part of the proceeds went to finance a summer camp for poor children. For additional information about the series, See Entry for Crime School, and consult the Series Index for "The Dead End Kids," "The East Side Kids" and "The Little Tough Guys." ...

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Sources conflict over the producer of this film. Although the onscreen credits do not contain a producer credit, Var lists Mark Hellinger as producer and Bryan Foy as associate producer, while DV and SAB list Hellinger as associate producer and Foy as producer. According to the Var review, this was the last gangster angle picture for the Dead End Kids because of complaints registered by the PTA. A news item in HR adds that the film had a benefit performance for the Grant Street Boys, an East Side group for impoverished boys. Part of the proceeds went to finance a summer camp for poor children. For additional information about the series, See Entry for Crime School, and consult the Series Index for "The Dead End Kids," "The East Side Kids" and "The Little Tough Guys."

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PERSONAL & COMPANY INDEX CREDITS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Daily Variety
13 Jul 1939
p. 3
Film Daily
12 Jul 1939
p. 6
Hollywood Reporter
13 Jan 1939
p. 4
Hollywood Reporter
1 Jun 1939
p. 4
Hollywood Reporter
13 Jul 1939
p. 4
Motion Picture Daily
10 Jul 1939
p. 6
Motion Picture Herald
8 Jul 1939
p. 38
New York Times
3 Jul 1939
p. 10
Variety
5 Jul 1939
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Jack L. Warner in charge of production
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Dial dir
Asst dir
PRODUCERS
Prod
WRITERS
Orig story
PHOTOGRAPHY
ART DIRECTOR
Art dir
FILM EDITOR
COSTUMES
SOUND
DETAILS
Series:
Release Date:
8 July 1939
Premiere Information:
New York opening: week of 3 Jul 1939
Production Date:
began 13 Jan 1939
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
8 July 1939
LP8952
Physical Properties:
Sound
Black and White
Duration(in mins):
82
Length(in reels):
9
Country:
United States
PCA No:
5082
SYNOPSIS

Convicted New York racketeer Buck Caeser is awarded a suspended sentence on the condition that he remain a law-abiding citizen for a year. At the suggestion of his attorney, Jim Donahue, Buck becomes a supervisor at the Hudson Street Shelter boys' school. Buck's appointment is opposed by Hiram Krispan, the brutal superintendent of the school, who has been collecting money from philanthropic citizens and using it for his own purposes. Noticing the intolerable conditions at the school, Jim seeks out Beth Avery, a teacher whom Krispan had fired because of her compassion for the boys. When Beth tells Jim of Krispan's reign of terror, Buck rehires her, inspired by her visions of creating another Boys Town. Buck pours his own money into the school, and, among other things, he establishes a boys' hockey team. To dispose of Buck, Krispan joins forces with Mike Garvey, a rival racketeer. When Garvey learns that Buck has rented the Ice Palace for a hockey match with a local orphanage, Garvey secretly substitutes professional players for the orphans and challenges Buck to bet on the game. Garvey's plan incites Buck to violence, causing him to violate his probation and forcing him into hiding. In Buck's absence, Krispan resumes his despotic rule and orders Joey Richards, a sickly boy, locked in the freezer for punishment. When Joey dies from exposure, the boys revolt and sentence Krispan to death. Desperate, Beth calls Buck for help, and he risks his freedom to convince the boys to turn Krispan over to the law. On his way to prison to serve his sentence, Buck turns the school over ...

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Convicted New York racketeer Buck Caeser is awarded a suspended sentence on the condition that he remain a law-abiding citizen for a year. At the suggestion of his attorney, Jim Donahue, Buck becomes a supervisor at the Hudson Street Shelter boys' school. Buck's appointment is opposed by Hiram Krispan, the brutal superintendent of the school, who has been collecting money from philanthropic citizens and using it for his own purposes. Noticing the intolerable conditions at the school, Jim seeks out Beth Avery, a teacher whom Krispan had fired because of her compassion for the boys. When Beth tells Jim of Krispan's reign of terror, Buck rehires her, inspired by her visions of creating another Boys Town. Buck pours his own money into the school, and, among other things, he establishes a boys' hockey team. To dispose of Buck, Krispan joins forces with Mike Garvey, a rival racketeer. When Garvey learns that Buck has rented the Ice Palace for a hockey match with a local orphanage, Garvey secretly substitutes professional players for the orphans and challenges Buck to bet on the game. Garvey's plan incites Buck to violence, causing him to violate his probation and forcing him into hiding. In Buck's absence, Krispan resumes his despotic rule and orders Joey Richards, a sickly boy, locked in the freezer for punishment. When Joey dies from exposure, the boys revolt and sentence Krispan to death. Desperate, Beth calls Buck for help, and he risks his freedom to convince the boys to turn Krispan over to the law. On his way to prison to serve his sentence, Buck turns the school over to Beth and Jim and admonishes the boys to adhere to the path of law and order.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.