activa44 Good noise album! I'm usually not a fan of vocals in noise, unless they're used in interesting and clever ways, which they of course are in here.

The overall sound is very powerful and the composition engenders a unique, haunting vibe.

Rhythmic noise and hypnotic sampling are used throughout to trap you in a dimension of discomfort, malaise and sickness, not too far off from early Eyehategod's imagery. Definitely FOR THE SICK!

Lorenzo I present you what may be the first example of pure 'death metal electronics'.

Stretched and contorted in a hideous fashion, veering into a power electronics world infected with desperate death metal. To the ear, it is more electronic based than metal, but is still wholly anchored in both realms. Grotesque and deformed, there are points where one genre takes over, but when they hit simultaneously, it is a twisted barrage of crackling intensity.

johnlordswood It's one of the best surprises I've had this year ~ This album feels like wandering through forgotten northern landscapes carried by ancient winds. The old synthesizer tones give everything a deeply nostalgic and timeless atmosphere. Nortfalke surprises us once again, as always. It deserves to be experienced by anyone who loves immersive synth music! ✨

𝖑𝖊𝖔 This is so sick. An unholy amalgamation of industrial, dark ambient, and black noise. For fans of Abruptum and Mz.412. Favorite track: IV.

𝕽𝖔𝖓𝖓𝖎𝖊 𝕿𝖍𝖊 𝕳𝖔𝖗𝖓𝖊𝖉 A moment draped in profound darkness, the kind that protects, that hides, that offers the feeling of finally returning home, to the heart of the vast forest. This album is a pure suspended moment, dressed in a delicate Dark Ambient.

An Goblin patient, enigmatic, deep listening.