Harrison Phinney
A grey mood is established, but hope is present. Austere arrangements which manage to uplift despite their fragility. Vaguely orchestral elements, but no schmaltz. The haunted vocals in Waterscene are a highlight, and I like the buried audio recordings. You get the sense throughout that the musicians are attuned to one another and are playing themselves into a certain hypnotic languor, a comforting gloom.