Monkton Wylde Dunno why I like it. Don't really have a preferred style (or taste tbf) , but its wonderful. Wish I had the CD. WCW is a superstar (in waiting lol) and Diana Crash's vocals are super peachy. Just right on the spot for whatever Bill cooks up. I've played it over & over since I got the DL. Really hope they do more stuff together & this is the start of something beautiful. Lo-fi electro kosmisch psychedelia reading my mind. Favorite track: Elegie pour la Musique Rock.

Scott This minimal nowave is 2025 post-fascist Amerikkka but has a similar vibe to mid 70s UK or late 70s Australia. It's sad how some things never seem to change, but at least we have artists like Whitten and Crash to continue giving voice to "the proletarians of love."

Andy Mascola Royal Trux meets Kilynn Lunsford. I dig it! Favorite track: How Long.

Holly McIntosh Oceanic, blissful heartache. Just perfect 🖤 Favorite track: Spicy City.

WESEENOWDONTWE through this album I am deeply reminded of the strength and perseverance of the human spirit Favorite track: Vanities.

pat de braekeler brings me into destress phase.

mario1984 A beautiful release from this eclectic explorer of sounds.

fighter1312 Fantastic Black Metal with superb Vocals . Favorite track: I Who Repel All Light.

Giz Oh, lords of whatever.... This album never gives up, never settles, never lets you breathe. It crushes the hope within into a black obsidian ball of fury and shatters it into this howl of righteous anger, of disgust, of hate. It is beautiful. It is ugly. It sounds like a declaration of war, a manifesto, a warning to the liars and traitors.
Utterly magnificent. Utterly bereft. Hæresis are an ordeal you must undertake.

walkingtheliminalspace.blog/haeresis-si-vis-pacem-para-bellum/ Favorite track: I Who Repel All Light.

Luke Like watching a cathedral on fire and seeing all its dark secrets plucked from the sky by swirling devils. It’s tumultuous and awe-inspiring in the true sense. It makes you, a small thing, feel giant, without pandering to the insecurities of the most basic among us, as so much of this genre insists on doing. And that is, surely, is what you want from this kind of thing, no? A glowing embrace of transcendental defiance?