Michael Flaherty
As label-mate Philip Thomas did for piano, Apartment House is setting the standard for Morton Feltman’s works for strings. The care and sensitivity shown to the music has made them, for me, the standard editions. That is certainly true with Violin and String Quartet.
I hope they will eventually take on the Sting Quartets (although I understand the challenges the second poses), and other chamber works.
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Blossomsby emptysetsupported by
{ } How the AI will sing to you when it's squirting your daily ration of nutritional amalgam into your mouth or repurposing your carbon and water molecules. Excellent.
hybridalist Blossoms is the AI reconfiguration of previous work and new improvisations with wood and metal: The AI found patterns amid these larger works. Emptyset also modeled the acoustics of past workspaces to create the reverbs. The result is less percussive than earlier albums, but the ape-god-esophogeal sonorities aren't anthropomorphic.
Crescendi flow and ebb as Emptyset's ever-morphing minimalism always does, imbuing narrative drive despite Calderesque drifts of stasis: Monstrous. Gorgeous. Favorite track: Blade.
catfoodcanopener This is electronic music. Much like listening to Autechre's more experimental work, doing so to Blossoms is like observing sound; you hear it move around, evolving like an alien organism, its sounds phasing with age, living and passing as if Emptyset (or any other humans, for that matter) didn't actually create it, but rather witness it. Favorite track: Blade.
Finn of Tomland Whenever Emptyset releases an album i know that i'm in for a treat and i can't wait to hear what these über talented blokes has come up with this time.
This album is a sonic eargasm and i love it.
Highly recommended!more...
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Sadly, the future is no longer what it wasby Leyland Kirbysupported by
DivineTrace333 Meditating on your melancholy, whatever may be depressing you, and pouring your heart out on wax, perhaps might be the most beautiful and cathartic thing anyone could ever do for themselves. Leyland Kirby is an artisan of the beauty of tragedy. Favorite track: When we parted my heart wanted to die (Friedrichshain memory).
jkuering Music for jetlagged catharsis. The whole album remains in your subconscious after each listen and haunts you until you decide to return again.
Favorite track: When did our dreams and futures drift so far apart.more...
Stevie This album is unbelievably good. In fact I might love this more then Kirby’s caretaker releases. I don’t even really have a favorite track because they are all hits no misses. The way Kirby utilizes piano for ambient purposes turns out being surprisingly catchy, which resembles William Basinski’s music. Solid 10/10 Favorite track: Stralauer Peninsular.more...
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fading lights [remastered by pole]by cv313featured track 00:00/00:00fading lights [remastered by pole] @scape mastering fading lights [remastered by pole] @scape masteringsupported by
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Nightmares Devour the Waking World: Phase I + Phase IIby Rot Coven
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Nightmares Devour the Waking Worldby Rot Coven
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Sub Reby Kassel Jaegerfeatured track 00:00/00:00a shell, a bell, a spell (from Sub Re) a shell, a bell, a spell (from Sub Re)supported by
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Composition For Silent Figuresby øjeRumsupported by
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rp23Germany -
alicethompsonforeverLondon, UK -
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Unsounds RecordsAmsterdam, Netherlands -
RusteaterPennsylvania -
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Sub Rosa LabelBrussels, Belgium
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