You are the product being harvested The greatest show in the universe The human experience What are those shadows in the corner of your eye Unidentified light in the sky Unseen hand playing tricks with your mind If life is a game, what is the prize?
For the love of my life who died of cancer in 1999 at the age of 26.
T-Arc is happy to host it's 3rd release - Funki Groovin. A small EP consisting of only the grooviest tracks from HakiSume. Grab it when it's still hot!
A collection of memories formed on our home turf by the water.
3 track album
Alien world music
8 track album
The next step in the journey comes from Felix, with a remix by Koliseum
Blind as the bat, mad as the hatter Red as a beet, hot as the hare Dry as the bone The bowel and the bladder lose their tone And the heart runs alone... A sumptuous and artistic rock song about flowers and the inner shadows of the mind, “Toxins” drifts between beauty and unease with an almost dreamlike intensity. Drawing inspiration from the mythology and toxicology of the infamous night-blooming plants associated with delirium, visions, witchcraft, medicine, and death, the song explores the strange territory where transcendence and psychological darkness overlap.
さあ、また始まります……。 この素晴らしいサンプル素材を提供してくださった Kratzwerkさんに、心より感謝いたします。
8 track album, released May 16, 2026 Heavy Cloud is the primary recording project of Ryan Hooper, a Cornwall-based sound maker, artist and writer who creates mixed media work inspired by memory and landscapes. Blurring the edges of presence and absence, "Archive in the Wind", his debut on Mahorka, drifts like forgotten signals across power lines – an elegy of memory stored, lost and reassembled. The album weaves a delicate lattice of sonic decay and reverie, where each fragment of sound clings like dust to the edges of memory, dissolving as soon as it's touched. Tracks like "Vestige Horizon" and "Achilles in the Margin" stretch time into slow-burning expanse, while shorter pieces such as "Windflowers" flicker like fragile recollections. Rooted in the windswept textures of Cornwall, this album is a haunting meditation on impermanence, memory and the spaces between. Soft are the wounds carried by wind We vanish in the spaces between songs "Archive in the Wind" was created with tapes, synths, field recordings, found sounds and objects in Cornwall, England 2025 Performed, recorded and mixed by Heavy Cloud Artwork by Heavy Cloud [mhrk493]
First seasonal sampler from 2019! Featuring Tender Mercy, Cryostasium, Astral Swans, Solarein, Sinkcharmer and many more!
5-track EP of melodic, fuzzy, noisy, feedbacky lo-fi tunes. For fans of Guided by Voices, Dinosaur Jr., Pavement, Teenage Fanclub and all other purveyors of melody buried under warm fuzzy layers of sound
Cœurs Perdus (Bande originale du film) - Single 2 titres - Sortie le 29/05/2026
To create their first collaborative full-length “Lachrymorph”, guitarist Petar Petkov and drummer Bartosz Borzeszkowski embarked on a journey to the Unknown – both physically and creatively. Having successfully collaborated in the studio (check out “Scape I", released in "Vanishing Standards II"), the artists felt the need to dig deeper into their mutual audio explorations, which curiously enough stem from their quite different musical backgrounds, with Petkov coming from the world of classical guitar and Borzeszkowski from the field of jazz. In “Lachrymorph”, Petkov and Borzeszkowski don’t hold preliminary discussions to lead the music in the desired way; they do not map their explorations but rely on intuition. Creating in a small cottage in the deep forests of Cassubia, Poland, they seem to have not only opened their own worlds to one another's contributions, but have left the door wide open for all that lurked around to further nuance and deepen their sound. Scattered across the pieces are field recordings, captured during the duo’s walks in the surrounding areas, that further flesh out the world surrounding Petkov and Borzeszkowski's creative process. “Lachrymorph” is a varied listen, more of a collection of musical snapshots than a narrative-driven experience. Some tracks (“I”, “IV”, “VII”) are deep and captivating soundscapes that make you lose a sense of the actual instruments that went into their creation. Others(“V” and “VI”) are more straightforward and act as a sort of wake-up call, not letting you disintegrate entirely in the hazy musical territories of the record. Most of the music, however, inhabits the intriguing zone between these two polarities, neither direct nor surreal, like glimpses from one world to another.
Three years after their previous record, Leaver return with "Hands Like Cages". Their new full-length album is a mixture of droning singer-songwriter music, this time more centered around vocals and lyrics, and even denser in textures and ambiance. "Hands Like Cages" was recorded in three sessions between 2018 and 2019. Those took place in Sofia, Bulgaria, and Breda, the Netherlands. The album brings feelings of detachment but of togetherness as well, and is more than suitable for everything that has happened to the world in 2020. More than ever, Leaver are indulging in long-form pieces, but those somehow still manage to feel intimate, accessible, and welcoming for the listener.
Debuted live during Amek Bummer Nights 2019 and recorded in a single take in February 2020, Nocktern's tape debut for Amek, NoStalgia, proves a watershed moment for the project as it is the last recording before its transformation from a solo act into a duo. Careful and precise, yet live and free, the three movements found on the piece herein freely cross and amalgamate disparate genres and aesthetic influences to a result that makes us long for places, feelings, and times that will never be. The opening minutes of NoStalgia are abstract and atmospheric, with thick synth layers gradually being introduced to build up to an almost 80s synth wave climax in the middle of the over 20-minute-long piece. With percussive elements darkening the soundscape, not unlike in Mind Over Heart, Nocktern’s contribution to Vanishing Standards (2019), the piece slowly fades into its calmest and most poetic part – a delicate piano coda that quietly communicates with the reflections of all the transformations the track has gone through before it all disappears in silence.
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