The Art of Starving

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Winner of the 2017 Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book!

"Funny, haunting, beautiful, relentless, and powerful, The Art of Starving is a classic in the making."--Book Riot

Matt hasn't eaten in days. His stomach stabs and twists inside, pleading for a meal, but Matt won't give in. The hunger clears his mind, keeps him sharp--and he needs to be as sharp as possible if he's going to find out just how Tariq and his band of high school bullies drove his sister, Maya, away.

Matt's hardworking mom keeps the kitchen crammed with food, but Matt can resist the siren call of casseroles and cookies because he has discovered something: the less he eats the more he seems to have . . . powers. The ability to see things he shouldn't be able to see. The knack of tuning in to thoughts right out of people's heads. Maybe even the authority to bend time and space.

So what is lunch, really, compared to the secrets of the universe?

Matt decides to infiltrate Tariq's life, then use his powers to uncover what happened to Maya. All he needs to do is keep the hunger and longing at bay. No problem. But Matt doesn't realize there are many kinds of hunger...and he isn't in control of all of them.

A darkly funny, moving story of body image, addiction, friendship, and love, Sam J. Miller's debut novel will resonate with any reader who's ever craved the power that comes with self-acceptance.

Review

"Matt toes the line between expiration and enlightenment, sparing no detail of his twisted, antagonistic relationship with his body. [His] sarcastic, biting wit keeps readers rooting for him and hoping for his recovery. A dark and lovely tale of supernatural vengeance and self-destruction." -- Kirkus Reviews(starred review)

"Matt is an admirably strong character who is out and proud, brilliant, creative, and determined to survive... Miller's creative portrait of a complex and sympathetic individual will provide a welcome mirror for kindred spirits." -- Booklist (starred review)

"Matt is a master at suppressing his urges, but there is nothing romantic about debut novelist Miller's portrayal of anorexia... discussion of Matt's future is brutally honest. As Matt's body deteriorates and his 'powers' reach new levels, readers must decide for themselves what is and isn't real." -- Publishers Weekly (starred review)

"One of the most important books of the year... How different, and how beautiful, our world would be if we could take its lesson of empathy to heart." -- B&N Sci-Fi & Fantasy blog

"An extraordinarily vital and necessary book that deals with underrepresented characters, discussions of toxic masculinity, and the effects of bullying in raw and effective ways . . . the overall message of devotion and self-acceptance is beautifully told." -- Romantic Times BOOKclub

"Funny, haunting, beautiful, relentless and powerful, The Art of Starving is a classic in the making." -- Book Riot

"Miller's powerful, provocative and daring work forces readers to question reality and how much of our world is shaped by what we see." -- Shelf Awareness

"This book is an ache, a bruise, a slaughterhouse of a love story; every word is a blow, but every blow is an anthem. This is what truth feels and smells and tastes like, and it's one magnificent monster." -- Margaret Stohl, bestselling author of the Beautiful Creatures series

"Beautifully rendered. This novel will break your heart and heal it again." -- Coretta Scott-King Award and Newbery Honor winner Jacqueline Woodson

"As gritty with salted wounds as are all great fairytales, The Art of Starving is The Outsiders with superpowers. It should be shelved alongside the classic stories of unexpected salvation." -- Maria Dahvana Headley, bestselling author of Magonia

"Gut wrenching and powerful." -- BookPage

"...A deeply tragic, if also deeply magical and hopeful story that breaks with expectations to subvert and challenge... I wish desperately I had read it when I was young." -- The Book Smugglers

"The Art of Starving is as mind-bending as it is heart-rending. Sam Miller has written a searing, daring, and unflinching story that I will not soon forget." -- Alex London, author of Proxy

"Brutal and brilliant, The Art of Starving seizes you and refuses to let you go. Matt is a complicated, compelling protagonist, and his raw emotional vulnerability is devastating. Hands down, The Art of Starving is the best book I've read this year." -- Alyssa Wong, winner of the World Fantasy and Nebula Awards

"The Art of Starving is a humane, deeply felt, heartbreaking novel, observed with an edge as sharp as broken glass. A supervillain coming-of-age novel that made me cry--my god, I loved this book." -- Alaya Dawn Johnson, Nebula and Norton Award winning author of The Summer Prince

From the Back Cover

Matt hasn't eaten in days.

His stomach stabs and twists inside, pleading for a meal. But Matt won't give in.

The hunger clears his mind, keeps him sharp--and he needs to be as sharp as possible if he's going to find out just how Tariq and his band of high school bullies drove his sister, Maya, away--what they did to make her steal off in the middle of the night without a word, a clue to where she was going, or even a good-bye.

Matt's hardworking mom keeps the kitchen crammed with food, but Matt can resist the siren call of casseroles and cookies because he has discovered something: the less he eats the more he seems to have . . . powers. The ability to see things he shouldn't be able to see. The skill of tuning in to thoughts right out of people's heads.

Maybe even the authority to bend time and space. So what is lunch, really, compared to finding out the secrets of the universe?

Matt decides to infiltrate Tariq's life, then use his powers to uncover what happened. All he needs to do is keep the hunger and longing at bay, and find the truth. No problem.

Except Matt doesn't realize there are many kinds of hunger, and he isn't in control of all of them.

A darkly funny, heartrending story of body image, addiction, friendship, and love, Sam J. Miller's debut novel will resonate with any reader who's ever craved the power that comes with self-acceptance.

About the Author

Sam J. Miller is the Nebula Award-winning author of The Art of Starving (an NPR best book of the year) and Blackfish City (a Nebula Award finalist and a John W. Campbell Award winner). Sam is a recipient of the Shirley Jackson Award and a graduate of the Clarion Workshop. His short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He lives in New York City.

About the author

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Sam J. Miller is the Nebula-Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). Sam’s short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He is the last in a long line of butchers, and he has also been a film critic, a grocery bagger, a community organizer, a secretary, a painter's assistant and model, and the guitarist in a punk rock band. He lives in New York City, and at samjmiller.com.

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Product Information

Publisher HarperCollins
Publication date 11 July 2017
Language ‎English
Print length 384 pages
ISBN-10 0062456717
ISBN-13 978-0062456717
Item weight ‎454 g
Reading age ‎13 years and up
Dimensions 13.97 x 3.07 x 20.96 cm
Grade level 3 - 12
Best Sellers Rank
Customer Reviews 4.5 out of 5 stars 477Reviews

Top reviews from the United Kingdom

  • 4 out of 5 stars

    So important and so powerful.

    Reviewed in the United Kingdom on 29 July 2018
    Format: Hardcover
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    3.5 Stars.

    Trigger Warning: This book features suicidal ideation, self-harm and homophobia.

    The Art of Starving by Sam J. Miller is one of the many books recommended to me for Mental Illness in YA Month, and it's one I absolutely couldn't not read. It's one of very few books that feature a male protagonist with an eating disorder. And while I can say absolutely without a doubt that this is an amazing, incredible, important book, I can't say that I enjoyed it.

    Matt is writing The Art of Starving. The book is what he is writing down, a manual for the reader in unlocking the special powers that come with starving yourself. For that is what Matt has discovered: the less he eats, the more his senses improve. With his sense of smell, his sight, his hearing, and his touch, he can discern where a person has been, what they are thinking, what they are about to do. And he's determined to use these new found abilities to seek revenge for what has happened to his sister, Maya. Five days ago, she ran away from home. This is so unlike Maya, Matt is certain something terrible happened to her to lead to her running away, and he knows it's Tariq that is to blame. Popular, handsome Tariq, who picked her up the night she ran away. Gorgeous Tariq, who Matt has always fancied. Tariq, who is friends with Ott and Bastien, who relentlessly bully Matt for being gay. He knows that Tariq, and maybe even Ott and Bastien, did something to his sister, and he's going to make them pay.

    Matt is gay, Jewish, and has an eating disorder. The intersection of Matt being gay and having an eating disorder is really important. Society says boys should look a certain way, and Matt feels he doesn't look that way. He feels ugly and disgusting. He sees other boys - boys who are hot and gorgeous, buff and built - and he not only desperately wants to look like them, he also desires them. It's the comparison merging with desire that leads to Matt starving himself. 'I choose not to eat because I am an enormous fat greasy disgusting creature that no one will ever feel attracted to.' (p12) He doesn't look like the boys he's attracted to, so why would other boys be attracted to him? And having those same boys bully him... well, it kind of vindicates what he's thinking. When looking up the novel when it was recommended to me, I came across Miller's post Every Handsome Boy Made Me Sick to My Stomach on Epic Reads, which I highly recommend reading. Miller's own experience of being gay and having an eating disorder really informed Matt's story, and there's a quote from the article I want to share with you:

    "When I was a teenager, every handsome boy I saw made me sick to my stomach.

    And here’s the thing: they still do. Not as bad, and not as often. But sometimes. Because no matter how far I’ve come, no matter how awesome I know I am, now – no matter how happy I am to be gay – I still have to live in this world that floods me with images of beautiful muscular athletic handsome men. I still have to live in a gay community that’s obsessed with only one kind of hotness (white twenty-something jocks, mostly). I’ve never really stopped looking at myself in every mirror or store window I walk past, and going, ahhhh, that’s not great."

    This really gives you an insight into how Matt thinks; how he sees himself, how he sees other guys. But what is interesting is that Matt, for the majority of the story, until later on when things dawn on him a bit more, doesn't think he has an eating disorder - because he's a boy.

    'Thanks to the magic of Afterschool Specials, I know that a disconnect between what I see and what others see is a very banal aspect of eating disorders. Here is the thing--what I have is not an eating disorder. I'm pretty sure boys can't even get eating disorders. Lord knows there aren't any afterschool specials about it.' (p12)

    And this is such a huge problem. How often do you hear about boys and men with eating disorders? How many books featuring eating disorders that you've read are about a guy? We simply don't talk about it. And we live in a society of toxic masculinity, where eating disorders are considered a girls' illness, and if boys and men have eating disorders, they're weak. So it just doesn't get talked about.

    So with all of this going on in Matt's mind - his desire to look like the boys he's attracted to, the boys who bully him, the toxic masculinity of the world he lives in, and with his sister running away, being scared for her, worried that someone hurt her, and full of rage at the very thought - before his powers even come into play, Matt becomes anorexic as it's the one thing in his life that he has control over.

    'This whole thing is not easy. It's a fight, most days. Me vs. Food.Food usually wins. My body, that traitorous thing, makes me cry Uncle. Drags me to the cupboard and makes me frantically scoop peanut butter out of the jar and into my mouth with my finger until I gag on it. But that day, the one that started out with me telling off Ott, I was winning. I was stronger than my hunger.For once, I was in control of something.' (p13)

    And it's not just the starving, Matt also self-harms. One thing I've learnt from the books I've read for Mental Illness in YA Month is that "self-harm" doesn't necessarily mean a person is cutting their skin, it's any way a person hurts themselves on purpose. For Matt, it's his nails. He bites his nails, but too much; he bites them too low, and he bites the skin around them, and he's constantly making himself bleed. This can almost seem accidental; biting nails is a habit people can pick up, and do without even realising they're doing it, just automatic. But there is one really gruesome scene where Matt really goes at one of his fingernails until he manages to, deliberately, pull the entire nail from it's bed. It's really upsetting to read.

    There are other elements to the story that I thought were really awesome. The Art of Starving is surprisingly feminist. It's not a feminist story, exactly, but there were moments where sexism was mentioned, and how things are unequal between the genders. Sometimes, there's even an effort to even things out within Matt's own narration. For example, each chapter starts with a rule, and Matt talks about the the Art of Starving warrior in the third person. When talking about a hypothetical person, people generally refer to this person as male, "he", but Matt mixes it up and says "she", too. It's such a small thing, but such a small word, but it was so surprising and wonderful to see it. I'm so accustomed to seeing "he", that reading "she" actually made me pause, and think, "Look what he did!"

    But of course sexism, the patriarchy and toxic masculinity are all intertwined, so it affects Matt, too, as a gay guy, so I guess it actually makes sense that he would have feminist views. I especially loved this revelation about homophobia:

    'I'd never understood the word homophobia before--people who are homophobic are not afraid of gay people, they just hate them! But in that moment it all made sense. Straight men will insult and assault and beat and kill gay men because they are terrified. Because masculinity is the foundation they built their whole worldview on, the set of lies that lets them believe they are inherently better than women, and gay people expose how flimsy and arbitrary the whole thing is.' (p8-9)

    This whole quote gives you the kind of view Matt has, and although it's not a main focus, Matt's feminism (though "feminism" is never mentioned) comes to the fore every now and again. Just little moments, but mate, I loved it!

    The Art of Starving is also really sex positive. Matt has sex with a guy at one point; it's off page, so we don't see it, but he does speak about, in vague terms.

    'You don't want the details. Well, maybe you do, but I don't want to share them.

    Here are a few things I don't mind sharing with you.

    When he saw my own naked torso, he said, "Oh, baby," and his voice was thick with fear and pity, and he touched my rib cage, and for a split second I saw myself as he did, no longer the fat tub of guts I saw when I looked in the mirror but a tormented tortured body starved to the edge of breaking.

    And then he pulled me to him, and his heat blocked out every other concern.

    And I was, to use the secret language of gay sex, the bottom.

    And it hurt.

    And it was wonderful.

    And we used protection.' (p304)

    There is also a moment when Matt thinks about and wants to give this guy a blow job, although those words aren't used, nor are any other, because all the words are pretty gross, but the fact that he wants to, desires to, and is on the page is just pretty awesome.

    'There is a thing I am obsessed with. It is a thing most boys are obsessed with. It has a lot of slang names, all of them ugly, and a couple of formal ones, none of them pretty. In fact it's funny that something so awesome should have such dumb names. It involves your mouth. Even saying that sounds creepy, but it's the best I can do. By now you will probably have guessed what I'm thinking about because you are smart. That's why I like you. I don't need to spell out every little thing.

    Anyway I wanted to do That Thing. Bad. Like, overpoweringly bad. I wanted to seize [redacted] and do The Thing to him because I wanted it . . . and also to change the subject. Even though my head was ringing with monstrous, stupid, ridiculous questions.

    Does sperm count as food? How many calories are in an orgasm? In a spit vs. a swallow?' (p309-310)

    Although there are so many things to like about The Art of Starving, for me personally, I didn't enjoy the powers aspect of the story. It was actually quite gross, with the sniffing of people's towels and such. I also don't think it was necessarily important, or added much to the story, except another reason for Matt to starve himself. Except, even if he didn't have the powers, he would be starving himself anyway. At first I wasn't even sure if his powers were real, I thought it was some delusion, and that Matt had another mental illness as well as an eating disorder. But it turned out his powers were actually real. It just didn't interest me, though. I mean, it was clever, the world building, if you like, surrounding his senses, what he could do, what he could work out, the control it gave him, but for whatever reason, I just really didn't enjoy this element of the story. That's not to say it's bad; this is just me and what I didn't like - I'm quite sure other people would really enjoy it.

    Also, there were three aspects of the story that I found predictable, two involving Tariq, and the other, the reason behind Maya's disappearance. As I knew these things, it became a little frustrating that it took so long for Matt to work these things out, or discover them. So with him being a little slow on the uptake, and all the experiments with his power, I just didn't really enjoy the book as a whole.

    But that doesn't take away from just how important this book is. An #OwnVoices story about a boy with an eating disorder, that looks at the intersection of an eating disorder with being gay. It's so important and so powerful, and just really bloody brilliant. Despite the fact that I didn't enjoy it overall, I would still highly recommend you read The Art of Starving.

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Top reviews from other countries

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  • 5 out of 5 stars
    Verified Purchase

    Zu empfehlen

    Reviewed in Germany on 22 March 2025
    Format: Paperback
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    Ja was soll ich sagen. Fesselnd. Und wenn jemanden das Thema interessiert, wird er das Buch nicht mehr weg legen können. Die Sichtweise auf die ganze Situation ist definitiv anders, als bei anderen Büchern, auch schön dass der Hauptcharakter mal männlich ist.

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  • 1 out of 5 stars
    Verified Purchase

    the book is amazing

    Reviewed in Canada on 6 September 2024
    Format: Hardcover
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    came damaged unfortunately other wise the book it self is really good

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  • 5 out of 5 stars
    Verified Purchase

    It’s that good. If you’re finding yourself anywhere on the gender ...

    Reviewed in the United States on 20 December 2017
    Format: Hardcover
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    Wow. I don’t know where to begin, or how to articulate how much this book means to me. Being a cis queer man in his early twenties who was raised by a blue-collar single mother outside of a sizable metropolitan area in the Northeast, I can’t help but deeply identify with Matt in scores of ways in which he both expresses and articulates his truth.

    But, beyond that, I am blown away by Sam’s writing. His short story, “The Heat of Us: Notes Toward an Oral History,” is the only other piece of his that I’ve read, but this novel cements him as one of the most profound artists whose work I’ve ever read. His craft is unbelievable.

    As a whole I’ve been immediately talking to anyone and everyone about this book, as much as I can, and recommending it. It’s that good. If you’re finding yourself anywhere on the gender or sexuality spectrum that is not textbook normative, then by all means, please make this a priority read. There’s insight into gender nuances which are so small that had me immediately raising my brow and nodding along; there’s such rich thought and critique of sexuality, particularly for youth, that pushes the boundaries of the stereotypical YA, and means so much to me to read as an adult.

    This book will stay with me. I know I’ll be rereading it, and that that will result in more tears.

    Please read it.

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  • 5 out of 5 stars
    Verified Purchase

    Touching and enchanting

    Reviewed in Germany on 30 September 2020
    Format: Paperback
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    I couldn't put this book down. The narrative really drove me in, I loved the little "rules" at the beginning of each chapter. If you ever struggled with disordered eating you will find yourself in the protagonist. EDs are not glamourous or only for girls and I'm so happy this book captured that.

    What really drives the book is the plot around his sister and that is executed very well. I love that the ED is in focus but not the only element of the story.

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  • 5 out of 5 stars
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    Tense, emotionally difficult, hopeful, and rewarding

    Reviewed in the United States on 15 July 2017
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    A must read.

    Sam J. Miller's first novel is a tense, emotionally difficult, hopeful, and rewarding read. The protagonist and narrator, Matt, comes alive on the page in ways both dear and terrifying. I was constantly surprised by insights that helped me reflect on my own past, ideas of my self and identity, and relationships. The Art of Starving felt very healing in that way.

    As literary fiction, the novel succeeds with stunning craft, themes, and character complexity. As genre, there's magic, power, horror, and soaring action aplenty. The story often becomes thrillingly cinematic. The plot moves at the speed of light, always finding surprising new paths forward. There's also a call to action running throughout the text that is so inspiring.

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