Aztec Two-Step – Aztec Two-Step
Label: | Elektra – EKS-75031 |
|---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Pop, Folk, World, & Country |
Style: |
Tracklist
| A1 | Baking | 2:42 | |
| A2 | Killing Me | 3:58 | |
| A3 | The Persecution & Restoration Of Dean Moriarty (On The Road) | 4:16 | |
| A4 | The Infidel | 4:40 | |
| A5 | So Easy | 1:48 | |
| A6 | Prisoner | 4:32 | |
| B1 | Strangers | 5:13 | |
| B2 | Almost Apocalypse | 3:53 | |
| B3 | Dancers All | 3:23 | |
| B4 | Cockroach Cacophony | 4:40 | |
| B5 | Highway Song | 6:07 |
Companies, etc.
- Record Company – Elektra Records
- Produced For – Timana Enterprises
- Phonographic Copyright ℗ – Elektra Records
- Copyright © – Elektra Records
- Recorded At – Elektra Sound Recorders
- Lacquer Cut At – Elektra Sound Recorders
- Mastered At – Columbia Records Pressing Plant, Santa Maria
- Pressed By – Columbia Records Pressing Plant, Pitman
- Published By – In The Alley Music
- Published By – Timana Music
Credits
- 6-String Bass – Jerry Yester (tracks: B2)
- Acoustic Guitar – Neal Shulman (tracks: A1 to B1, B3 to B5)
- Acoustic Guitar, Vocals – Rex Fowler
- Art Direction, Design – Robert L. Heimall
- Autoharp – Jerry Yester (tracks: A2, A4, B3)
- Banjo – Doug Dillard (tracks: A5, B2, B3), Jerry Yester (tracks: A3), Peter Kliemes (tracks: A5)
- Bass – David Vaught (tracks: A1 to B4)
- Calligraphy – Joy Danaher
- Celesta – Jerry Yester (tracks: B3)
- Congas – Bobby Torres (tracks: A3, B1)
- Drums – John Seiter (tracks: A1, A2, A4, A5, A6, B2 to B4)
- Electric Guitar – Neal Shulman (tracks: B2)
- Engineer – Ben Taylor (4)
- Harmonica – John Sebastian (tracks: A5)
- Lacquer Cut By – MM*
- Photography By – Joel Brodsky
- Piano – Jerry Yester (tracks: A6, B4)
- Producer – Jerry Yester
- Shaker – John Seiter (tracks: A3)
- Supervised By [Production] – Jac Holzman
- Vocals – Neal Shulman
- Written-By – Neal Shulman (tracks: A5, B3), Rex Fowler (tracks: A1 to A4, A6 to B2, B4, B5)
Notes
Comes with lyric sheet
Runouts are etched except '1, 3' are stamped.
Runouts are etched except '1, 3' are stamped.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Matrix / Runout (Side A label): EKS-75031-A
- Matrix / Runout (Side B label): EKS-75031-B
- Matrix / Runout (Side A runout, variant 1): EKS-75031 A2 RE CP MM ESR
- Matrix / Runout (Side B runout, variant 1): EKS-75031 B1 RE CP MM-TB ESR
- Matrix / Runout (Side A runout, variant 2): EKS 75031 A-2 RE. CP MM. ESR SX 1 B
- Matrix / Runout (Side B runout, variant 2): EKS-75031 B-1 RE. CP MM-TB ESR SX 3 A
- Matrix / Runout (Side A runout, variant 3): EKS 75031 A-2 RE. CP MM ESR
- Matrix / Runout (Side B runout, variant 3): EKS-75031 B RE. CP MM-TB ESR CP = C
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Aztec Two-Step (LP, Album) | Elektra | K42118 | UK | 1972 | ||
New Submission | Aztec Two-Step (LP, Album, Promo) | Elektra | EKS-75031 | US | 1972 | ||
| Aztec Two-Step (Cassette, Album) | ERA Records | 50014 | US | 1972 | |||
New Submission | Aztec Two-Step (LP, Album, Test Pressing, Stereo) | Elektra | EKS-75031 | US | 1972 | ||
Recently Edited | Aztec Two-Step (CD, Album, Reissue) | ERA Records | 50012 | USA & Canada | 1992 |
Recommendations
- 1984 US
Vinyl —LP, Album, Stereo - 1972 US
Vinyl —LP, Album, Stereo - 1970 US
Vinyl —LP, Album, Stereo - 1969 US
Vinyl —LP, Album, Stereo - 1975 US
Vinyl —LP, Album, Stereo - 1973 US
Vinyl —LP, Album - 1985 US
Vinyl —LP, Album - 1971 US
Vinyl —LP, Album, Stereo - 1977 US
Vinyl —LP, Album, Stereo - 1971 US
Vinyl —LP, Album, Stereo
Reviews
May not have any hair, but can feel my follicles tingling........ don't laugh ! ...........just awesome- One of the most underappreciated
gems of 70's folk . Great song
writing and superb musicianship
all the way through !! - Edited 8 years agoThe Ferlinghetti kudos cue an "on the road" vibe before you even get it spinning -- all at once earthy, sophisticated and expansive -- brainy folk brimming with poignant observations on the human condition in all of its varietal splendor. Novel, probing song construction reminiscent of the best CSNY...insistently reclined upon the bigger pictures yet still astutely aware of each fine detail (a la the great Jimmie Spheeris)...a truly kaleidoscopic mosaic catalyzed by clear mastery of the genre's many beloved idioms. Love it!










