Welcome to the Grand Comics Database!
The Grand Comics Database (GCD) is a nonprofit, internet-based organization of international volunteers dedicated to building an open database covering all printed comics throughout the world.
Give our search a try, use my.comics.org to track and manage your comic collection, or look how you can contribute.
Cartoonist/artist formerly known as Ken Weiner whose work saw print in Screw magazine, Weirdo, Comical Funnies, Punk and Stop!. Alongside Peter Bagge he published "The Wacky World of Ken Weiner and Peter Bagge" in 1982. After moving to Minneapolis in 1986 he changed his name to Ken Avidor. Among the work he's known for since then include the Roadkill Bill strip and the graphic novel series Bicyclopolis.
Involved in the Underground and Independent comic scenes. Created the Comix World and Comix Wave newsletters. Writer/artist on mini comics in the late 1970s to the 1980s. Died from liver cancer.
Lucho Olivera learned painting and drawing from Rubén Vispo. He moved to Buenos Aires at age 20 and began his career drawing for Vea y Lea and Leoplán. He also enrolled at the Pan-American School of Art, while making cover illustrations for Hora Cero and Frontera. In 1964, he commenced his career as a full time comics artist by contributing to Misterix and to the publishing house Columba. He was the first artist to draw the 'Nippur de Lagash' series, written by Robin Wood, that appeared in D'Artagnan magazine from 1967. Other notable creations were 'Gilgamesh' (1970) and 'Gunner' ('Dico, o Artilheiro'). He also created 'Galaxia Cero', 'Yo Ciborg', 'Ronar' and 'Planeta Rojo'. In the 1990s he drew a newspaper comic strip called 'Pepe Moreno'.
Born in Japan, raised in Hawaii and later settled on the continental USA.
Schultze was an American newspaper cartoonist best known for his popular Foxy Grandpa comic strip series. He drew the strip under the pseudonym Bunny, his childhood nickname. The Bunny signature was usually accompanied by a drawing of a rabbit.
His Foxy Grandpa comic strip was first published in January 1900 in the New York Herald, moving to the New York American in 1902. By 1913, Schultze was president of the Bunny Amusement Corporation of New York. The strip disappeared as a regular feature in 1918.
Personal problems and debts plagued Schultze through the 1920s. He resurfaced in 1935, illustrating school books, including the popular Julia and the Bear. During the 1930s, he was a Works Progress Administration worker. He died of a heart attack in 1939.
Additional biography found at:
Squa Tront (John Benson, 1977 Series) #9 (1983).
Wessler did gag cartoons circa 1932 for the Calgary Eye-Opener [magazine] (Bob Edwards Publishing Corporation, 1902? series).
Michael Chabon is an American novelist, screenwriter, columnist and short story writer who has worked on a number of comics and genres related projects.
Bud Thompson was born Bernard Thompson and worked in comic strips, cartoons, and comic books under several names and aliases. His work in comic strips ran from 1931 to 1943 and in comic books on and off from about 1942 to about 1955.
Under his Bernard Thompson name, Bud did cartoons from the 1940s until the 1960s.
Thompson emigrated with his family to the United States from England via Montreal, Canada sometime in July 1911. The family settled in Hennepin, Minnesota per the 1920 census, and eventually moved to St. Louis Park, Hennepin County, Minnesota where Thompson was raised. Thompson would marry Evelyn "Ev" Syverson before 1930. By 1937, the Thompsons were living in Hollywood, California in the house of the late magician Harry Houdini. At the time of his death, Thompson was living in Savannah, Georgia.
We added overview lists of character appearances in a group, e.g., Captain America and vice versa, e.g., The Avengers. You can also get a list of issues where Iron Man appeared as a member of the Avengers.
The milestone cover was the cover by Mathieu Lampron for the issue Le démon du hockey published by Glénat Québec.
We changed our handling of brand emblems for an issue. One now can select more than one brand emblem.
There will be cleanup of the existing combined brand emblems needed.
We also updated the list per brand emblem and its usages.
We recently added story arcs to our database. This is to group stories associated by some sort of title, which includes traditional story arcs, crossovers and events, whether identified by story titles, trade dress or other emblems. Will take some to populate the database, and we have not finally decided what all is considered a story arc. Click for current list of story arcs.
As a form of companion functionality, we added reading orders to our collection subsite my.comics.org. Any registered user can now create individual reading orders for any purpose. These can be made public for anyone to see, we might add search capabilities for reading orders at some point.
The milestone issue was Tex Willer Gigantbok #13 - Den siste opprøreren from Norwegian publisher Egmont.
Besides updating and renovating our page designs, in particular making it useable on small screens, we made a couple of changes on the behaviour of the site.
The result tables and lists are now more consistent throughout the site. On many pages you now fill find these two symbols . By clicking on them one can switch with a list view and an image view, e.g. using covers or creator faces.
Filtering of search results or lists is now usually available.
To avoid visual information overload in case of many variants or reprints, we show the full list only if their number is below a threshold. Logged-in users can set the thresholds in their profile to allow user-defined display.
The functionality for adding issues to a collection, or editing their collection status, is now accessible on the main site.
Most data objects now support markdown in the notes for visual structure. Notes now also support internal links, these are generated automatically and shown with the object name, e.g. [gcd_link_issue](442), or generally [gcd_link_'object_type'](id)
We changed the colors on the series status tables for a more consistent appearance. For issues, we added another layer to indicate that some sequence data is present.
Keywords are now generally clickable troughout the site.
This is good news for all our users, but we are now fully dependent on donations to cover our costs in the future.
If you wish to donate you can simply click , where for US donors this is tax deductable. Thank you for your use and support.Turning off these measures is not an option for us. Our site would be regularly unresponsive due to the bots (which are often AI-related bots).
If you are getting blocked, this is almost always temporarily for a few minutes. If this persists, these are recommendations one can find for those who have issues with Cloudflare:
There are several ways in which you can help us to improve our site and its content.
More information is at our github page.
Further development of the API depends on user feedback and contributions.An import of issue and story data in JSON/YAML-format is now available, independent of the API.
Each week, a small number of GCD volunteers add listings to our database for the new comics released that week in North America. These are just the basic listings, not full indexes. This makes it easier for other volunteers who upload covers and for indexers, as well as for people using my.comics.org.
Each volunteer covers one publisher or a small group of publishers ("D publishers except DC", for example). From public sources such as ComicsList and Diamond Previews online, they add the issues and make note of the prices and a few other details. We are looking for additional volunteers for this weekly task.
Follow this link for a description of the process and a list of which publishers are currently covered.